<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-11278661</id><updated>2011-11-30T19:07:40.845-05:00</updated><title type='text'>VOCIFEROUS SLAM</title><subtitle type='html'>Handpicked music hand-picks by a group of music enthusiasts. All song files open in a new window.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>79</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-11278661.post-1579747918210165879</id><published>2007-08-16T14:54:00.000-04:00</published><updated>2007-08-16T14:55:32.421-04:00</updated><title type='text'></title><content type='html'>we be over here: &lt;a href="http://vslam.com/"&gt;vslam.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-1579747918210165879?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/1579747918210165879/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=1579747918210165879&amp;isPopup=true' title='25 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/1579747918210165879'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/1579747918210165879'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2007/08/we-be-over-here-vslam.html' title=''/><author><name>cadet</name><uri>http://www.blogger.com/profile/12836865545414288950</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://homepage.mac.com/johnmm/comethead.png'/></author><thr:total>25</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-114351270425535877</id><published>2006-03-27T21:22:00.000-05:00</published><updated>2006-03-27T21:25:04.270-05:00</updated><title type='text'></title><content type='html'>&lt;font size="5"&gt;&lt;br /&gt;VSLAM.COM will be ready &amp; replacing VSLAM.ORG this April 1st&lt;/font&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-114351270425535877?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/114351270425535877/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=114351270425535877&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/114351270425535877'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/114351270425535877'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/03/vslam.html' title=''/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-114248439443990103</id><published>2006-03-15T23:34:00.000-05:00</published><updated>2006-03-16T07:54:18.523-05:00</updated><title type='text'>Slapdash</title><content type='html'>The ineffable Sophia told me to post &amp; even gave me a theme (weekends, because kinky sex would take too long). Nothing special, just a few fun tunes to get you through:&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Sockeye&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/sockeye.jpg" width="100" height="100"&gt;&lt;br /&gt;Retards Hiss Past My Window (1993)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/32 - Sockeye - Freaky Friday Tits.mp3" target="_blank"&gt;Freaky Friday Tits&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;It is supposed to sound that bad. They have funnier tunes, I suppose, like "Tittyfuck a Coal Miner," but this one fits the theme.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Merle Travis&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/merletravis.jpg" width="100" height="100"&gt;&lt;br /&gt;Walkin' the Strings (1960)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/03 - saturday night shuffle.mp3" target="_blank"&gt;Saturday Night Shuffle&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;I've made out to this.&lt;/font&gt; [hahahha! -ed.]&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Honey Cone&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/honeycone.jpg" width="100" height="100"&gt;&lt;br /&gt;Sweet Replies (1971)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/07 sunday morning people.mp3" target="_blank"&gt;Sunday Morning People&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;A dear friend sold me on this lovely music, &amp; it caps off the little theme here just fine.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt; [honey cone! -ed.]&lt;br /&gt;&lt;br /&gt;A real post will be forth coming. Might even be about kinky sex. [what -ed.]&lt;br /&gt;&lt;br /&gt;Now, the rest of you should post. [no -ed.]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-114248439443990103?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/114248439443990103/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=114248439443990103&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/114248439443990103'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/114248439443990103'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/03/slapdash.html' title='Slapdash'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-114089167656913327</id><published>2006-02-25T13:00:00.000-05:00</published><updated>2006-02-25T19:36:19.780-05:00</updated><title type='text'>Cory Daye, Sister Sledge, Rainbow Brown, Prince</title><content type='html'>Music!&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Cory Daye&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/coryandme.jpg" width="100" height="100"&gt;&lt;br /&gt;Cory &amp; Me (1979)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/greenlight.mp3" target="_blank"&gt;Green Light&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Cory = the vocalist from Dr. Buzzard's Original Savannah Band.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Sister Sledge&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/sistersledge.jpg" width="100" height="100"&gt;&lt;br /&gt;The Best of Sister Sledge 1973-1985 (1992)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/mamanevertoldme.mp3" target="_blank"&gt;Mama Never Told Me&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;The best song ever -- I mean that. Released in 1973 and penned by &lt;a href="http://www.soulwalking.co.uk/Thom%20Bell.html"&gt;Thom Bell&lt;/a&gt; and &lt;a href="http://www.soulwalking.co.uk/Phil%20Hurtt.html"&gt;Phil Hurtt&lt;/a&gt;.&lt;br /&gt;&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Rainbow Brown&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/rainbowbrown.jpg" width="100" height="100"&gt;&lt;br /&gt;Rainbow Brown (1981)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/tilyousurrender.mp3" target="_blank"&gt;Til You Surrender&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Songs written/arranged/produced by Patrick Adams. Fonda Rae ("Over Like a Fat Rat") does lead vocals.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Prince&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/parade.jpg" width="100" height="100"&gt;&lt;br /&gt;Parade (Under the Cherry Moon) (1986)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/ANOTHERLOVERHOLENYOHEAD.mp3" target="_blank"&gt;Anotherloverholenyohead&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;&lt;i&gt;Parade&lt;/i&gt; is my favorite Prince album, easily, and one of my favorite albums in general. Words cannot express the passionate love I have for this man.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-114089167656913327?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/114089167656913327/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=114089167656913327&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/114089167656913327'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/114089167656913327'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/02/cory-daye-sister-sledge-rainbow-brown.html' title='Cory Daye, Sister Sledge, Rainbow Brown, Prince'/><author><name>phia</name><uri>http://www.blogger.com/profile/07573923455435768124</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-114039465444756805</id><published>2006-02-19T18:40:00.000-05:00</published><updated>2006-02-19T19:17:34.470-05:00</updated><title type='text'>1-2-3 &amp; Night Nurse</title><content type='html'>&lt;center&gt;&lt;br /&gt;&lt;b&gt;The Speedies&lt;/b&gt;&lt;br /&gt;&lt;img src="http://images.amazon.com/images/P/B0007XS0BQ.01._AA240_SCLZZZZZZZ_.jpg" width="100" height="100"&gt;&lt;br /&gt;Yellow Pills Prefill No. 4 (V/A), Mid 1970s&lt;br /&gt;&lt;a href="http://s51.yousendit.com/d.aspx?id=207U3AOE1RP0X3A6UG52Q1NW5V" target="_blank"&gt;1-2-3&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Awesome Jordan Oakes assembled compilation, fun poppy song by a band who adorably met while working on a research project in high school. They were so young during the peak of their fame that they were often seen doing homework backstage&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Gregory Isaacs&lt;/b&gt;&lt;br /&gt;&lt;img src="http://img.epinions.com/images/opti/e1/e1/112505-resized200.jpg" width="100" height="100"&gt;&lt;br /&gt;Night Nurse, 1982&lt;br /&gt;&lt;a href="http://s51.yousendit.com/d.aspx?id=0H90X47AHZK8W3VYYN5IWPTSB9" target="_blank"&gt;Night Nurse&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;This song is probably old news to a lot of you, but this song gets better for me each time I listen to it. "Night Nurse- only you alone can quench this Jah thirst"&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;feedback in the way of comments appreciated&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-114039465444756805?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/114039465444756805/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=114039465444756805&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/114039465444756805'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/114039465444756805'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/02/1-2-3-night-nurse.html' title='1-2-3 &amp; Night Nurse'/><author><name>Kay R K</name><uri>http://www.blogger.com/profile/06913126443875360927</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113954182507826099</id><published>2006-02-09T19:03:00.000-05:00</published><updated>2006-02-09T23:03:38.063-05:00</updated><title type='text'>Hyphy Remix &amp; The Advisory</title><content type='html'>&lt;center&gt;&lt;br /&gt;&lt;b&gt;The Federation&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.3-x.nl/images/front/25397.jpg" width="100" height="100"&gt;&lt;br /&gt;KMEL Radio Cut, 2003&lt;br /&gt;&lt;a href="http://s52.yousendit.com/d.aspx?id=08L5FRDGQXYBV30C1AISUWJA15" target="_blank"&gt;Hyphy (Remix)&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Federation members Doonie Baby, Stres, Goldie Gold, and the guesting Keak Da Sneak, Quinn, E-40, &amp; Turf Talk do what they do best in a Rick Rock produced arena. A lot of people dislike or don't get hyphy, but if you don't like this then something is probably wrong with you.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Knot Pinebox&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.antifolk.net/knotpinebox70.jpeg" width="100" height="100"&gt;&lt;br /&gt;Suspended Particulation, 2003&lt;br /&gt;&lt;a href="http://s51.yousendit.com/d.aspx?id=3MI1HIDDHI7CH079B7W7PYGKLJ" target="_blank"&gt;The Advisory&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Knot Pinebox (aka Karen Hancock) sings a very, very, very, beautiful song.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;I just realized I was starting a pattern of rap and female singer posts&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113954182507826099?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113954182507826099/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113954182507826099&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113954182507826099'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113954182507826099'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/02/hyphy-remix-advisory.html' title='Hyphy Remix &amp; The Advisory'/><author><name>Kay R K</name><uri>http://www.blogger.com/profile/06913126443875360927</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113890527855332760</id><published>2006-02-02T13:28:00.000-05:00</published><updated>2006-02-02T13:34:38.570-05:00</updated><title type='text'>Swim!</title><content type='html'>The first is a tune I have played on almost every radio show I have ever done (once, the record was misplaced, &amp; we could not find it one week. The next week, when we found it, we played it twice in a row). The second is what I think drowning slowly sounds like.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Ian Dury&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/upminster.jpg" width="100" height="100"&gt;&lt;br /&gt;Lord Upminster (1981)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/ian dury - spasticus autisticus.mp3" target="_blank"&gt;Spasticus Autisticus&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;There is not a single song I am more familiar with than this one. Rumor has it, Dury wrote this at the request of the Special Olympics, only to have it rejected as too offensive. On the record in the radio station, the review says  "NOT FOR MORNINGS!" &amp;  "offensive in Britian, so perfect for the US!" I played it on every early morning show I had (as well as all the afternoon ones).&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Sunroof!&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/sunroof.jpg" width="100" height="100"&gt;&lt;br /&gt;Rainbow Electric Sabbath (2005)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/01 - sunroof! - untitled.mp3" target="_blank"&gt;Untitled&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;The date of release might be inaccurate, but I could find no conflicting information. It's droning indulgence.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113890527855332760?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113890527855332760/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113890527855332760&amp;isPopup=true' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113890527855332760'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113890527855332760'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/02/swim.html' title='Swim!'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113834596187718548</id><published>2006-01-28T11:21:00.000-05:00</published><updated>2006-01-28T14:29:56.356-05:00</updated><title type='text'>Jo Ann Campbell, Jackie Dee, Brenda Lee, Nedra Price...</title><content type='html'>I promised a post of upbeat rockabilly ages ago. When I promise something, I do (usually) carry through eventually. This will be a long one; hold tight.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Jo Ann Campbell&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/imnobodysbaby.jpg" width="100" height="100"&gt;&lt;br /&gt;I'm Nobody's Baby (1959)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/wassamatterwithyoubaby.mp3" target="_blank"&gt;Wassa Matter With You Baby?&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Self-penned 1958 awesome. Campbell is a hero.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Jackie Dee&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/comeandgetme.jpg" width="100" height="100"&gt;&lt;br /&gt;Best Of...1958-1980: Come and Get Me (2000)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Buddy.mp3" target="_blank"&gt;Buddy&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;a.k.a. Jackie DeShannon. She recorded this in 1959 when she was fifteen and wore gold pants. Later, she'd be responsible for "When You Walk Into the Room," which is pretty much the pinnacle.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Brenda Lee&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/brendalee.jpg" width="100" height="100"&gt;&lt;br /&gt;Anthology (1956-1980) (1991)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/bigelow6200.mp3" target="_blank"&gt;Bigelow 6-200&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;This song is penned by Don Woody, who is a pretty great singer &lt;a href="http://www.hot.ee/donwoody/music.htm"&gt;in his own right&lt;/a&gt;.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Nedra Price&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/sugardoll.jpg" width="100" height="100"&gt;&lt;br /&gt;Sugar Doll (2005)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/letshaveaparty.mp3" target="_blank"&gt;Let's Have a Party&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;I want to meet this girl.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Lou &amp; Ginny&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/sugardoll.jpg" width="100" height="100"&gt;&lt;br /&gt;Sugar Doll (2005)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/doidoright.mp3" target="_blank"&gt;Do I Do Right?&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;yeah, I like &lt;i&gt;Sugar Doll&lt;/i&gt;...&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Penny Candy&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/pennycandy.jpg" width="100" height="100"&gt;&lt;br /&gt;The Rockin' Lady (1959)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/therockinlady.mp3" target="_blank"&gt;The Rockin' Lady&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Discovered this in a big bag of my dad's 45s a while ago. Became obsessed.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113834596187718548?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113834596187718548/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113834596187718548&amp;isPopup=true' title='12 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113834596187718548'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113834596187718548'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/01/jo-ann-campbell-jackie-dee-brenda-lee.html' title='Jo Ann Campbell, Jackie Dee, Brenda Lee, Nedra Price...'/><author><name>phia</name><uri>http://www.blogger.com/profile/07573923455435768124</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>12</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113833405534095811</id><published>2006-01-26T21:57:00.000-05:00</published><updated>2006-01-26T23:29:50.143-05:00</updated><title type='text'>ST IDES, LINDA PERHACS</title><content type='html'>&lt;center&gt;&lt;img src="http://www.vslam.org/images/1ides.jpg"&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;King Tee &amp; Ice Cube&lt;/b&gt;&lt;br /&gt;St. Ides Promos (Unreleased Compilation) (1989?)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/07 Get Your Girl In The Mood Quicker.mp3" target="_blank"&gt;Get Ya Girl In The Mood Quicker&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Most of the King Tee and Dj Pooh fronted St. Ides commercials from the late 80s were amazing, but this one pretty much sums up why they were too awesome to not be banned&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Linda Perhacs&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/1linda.jpg" width="100" height="100"&gt;&lt;br /&gt;Parallelograms (1970)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/06 Parallelograms.mp3" target="_blank"&gt;Parallelograms&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;All of Linda Perhac's Parallelograms sounds to me like what you would sing to the giant oak in the woods so that it would assume the form of a wise elder. The title song is a beautiful exercise in acid+folk.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113833405534095811?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113833405534095811/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113833405534095811&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113833405534095811'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113833405534095811'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/01/st-ides-linda-perhacs.html' title='ST IDES, LINDA PERHACS'/><author><name>Kay R K</name><uri>http://www.blogger.com/profile/06913126443875360927</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113830449390574597</id><published>2006-01-26T14:28:00.000-05:00</published><updated>2006-01-26T14:45:17.700-05:00</updated><title type='text'>Polka Polka Polka</title><content type='html'>Okay, stop laughing. Seriously, this post is about polkas. A "polka" is a dance in 2/4 time of Czech origin. The music that accompanies it is (obviously) in the same time, but is not limited to sound like "The Chicken Dance". Now, I'm not so talented an ear that I can pick out a polka when I hear it without reading the word "polka" in the title of the song, but after a while, I am sure keener ears could do it. I know they exist (the songs &amp; the ears). Below are some fine polkas from various sources, many recent tunes, &amp; one scratchy pearl from way back when.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Vesely Muzyky&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/vesely.jpg" width="100" height="100"&gt;&lt;br /&gt;Music From the Ukraine (1998)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/12 - vesilna polka - veseli muzyky.mp3" target="_blank"&gt;Vesilna Polka&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Most of my favorite polkas are from Eastern Europe somewhere, generally Ukraine, but not always. Oddly, for being a Czech style, I've heard no Czech polkas that I know of.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Al Duvall&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/duvall.jpg" width="100" height="100"&gt;&lt;br /&gt;The Butler's Revenge (2001)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Al Duvall - Flophouse Polka.mp3" target="_blank"&gt;Flophouse Polka&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;A little bit novelty, a little bit dark, this reminds me in spirit of Tom Waits' "Cemetary Polka" (not posted because I assumed most of you would already know it). Duvall is apparently pretty out-there &amp; unknown. I posted this as a prime example of a non-folk, non-traditional polka. &lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Guido Deiro&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/guido.jpg" width="100" height="100"&gt;&lt;br /&gt;Vaudeville Accordion Classics: The Complete Works of Guido Deiro (2003)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Guido Deiro accordeon - I Don't Care Polka 1913.MP3" target="_blank"&gt;I Don't Care Polka&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Originally released in 1913, this novel little ditty is being performed by the Italian musician who first popularized the piano accordion.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Haugaard &amp; Høirup&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/haugaard.jpg" width="100" height="100"&gt;&lt;br /&gt;Duo for Violin &amp; Guitar (2000)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/haugaard&amp;hoirup (duo for violin &amp; guitar) - 07 arnes polka.mp3" target="_blank"&gt;Arnes Polka&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;I actually don't think I am posting any low tempo polkas, but that's because I like the lively stuff better. This is from a Dutch pair who've been acclaimed &amp; touted from the mountain tops in recent years amongst the Dutch press, apparently.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Warsaw Village Band&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/warsaw.jpg" width="100" height="100"&gt;&lt;br /&gt;People's Spring (2002)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/06 - traditional rural polka.mp3" target="_blank"&gt;Traditional Rural Polka&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Not to be confused with the Polish style of music/dance "polska," this is a Polish group performing polka. Probably my favorite of this bunch.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;Let me know if I am posting far too soon after other folk have posted.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113830449390574597?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113830449390574597/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113830449390574597&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113830449390574597'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113830449390574597'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/01/polka-polka-polka.html' title='Polka Polka Polka'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113826517455063263</id><published>2006-01-26T01:50:00.000-05:00</published><updated>2006-01-26T09:08:39.983-05:00</updated><title type='text'>Back Like Cooked Crack</title><content type='html'>&lt;center&gt;&lt;br /&gt;&lt;b&gt;B-Legit&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/blegit.jpg" width="100" height="100"&gt;&lt;br /&gt;Block Movement (2005)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/B-Legit - Guess Whos Back.mp3" target="_blank"&gt;Guess Who's Back (feat. E-40)&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;One of the Bay Area's finest.  This was one of the catchiest tracks of 2005.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Kyu Sakamoto&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/kyusakamoto.jpg" width="100" height="100"&gt;&lt;br /&gt;Sukiyaki and Other Japanese Hits (1963)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Kyu Sakamoto - Ashita Ga Aru Sa.mp3" target="_blank"&gt;Ashita Ga Aru Sa&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Sakamoto became famous worldwide with his hit "Sukiyaki," which became the most popular song in Japanese history.  His music was some of the first Japanese music to get major Billboard attention in the U.S., and "Sukiyaki" actually topped the charts for a short time.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Brown Dots&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/browndots.jpg" width="100" height="100"&gt;&lt;br /&gt;For Sentimental Reasons:  The Brown Dots Collection (2000)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/The Brown Dots - Bow-Wow-Wow.mp3" target="_blank"&gt;Bow-Wow-Wow&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;The Brown Dots was formed by former Ink Spots member Deek Watson.  He originally simply called the group the Ink Spots, but was forced to change the name to the Brown Dots.  Stylistically, however, the Dots were almost identical to the Spots.  The group became famous for with "Sentimental Reasons," which would be covered a countless number of times in later decades.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113826517455063263?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113826517455063263/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113826517455063263&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113826517455063263'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113826517455063263'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/01/back-like-cooked-crack.html' title='Back Like Cooked Crack'/><author><name>Vivek</name><uri>http://www.blogger.com/profile/13003746243295655999</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113820754672454430</id><published>2006-01-25T10:41:00.000-05:00</published><updated>2006-01-25T15:18:57.240-05:00</updated><title type='text'>cat's got the measles, dog's got the whooping cough</title><content type='html'>A few weeks ago I Say to my friend, hey, I wish I were sick, so easy, stress-free &amp; now finally it's got me on the wrong week. I haven't dealt w/ fevers &amp; fog like this for a long, long time. W/ no voice or legs the internet seems like much more of a viable time-option than it normally does, so here I am.&lt;br /&gt;&lt;br /&gt;The Memphis Jug Band were one of the most popular &amp; prolific jug bands around in the 20's and 30's, led by Will Shade on guitar/bullfiddle. They were &lt;a href="http://www.yazoorecords.com/2059.htm" target="newnew"&gt;rad&lt;/a&gt;. Wish I had Cocaine Habit Blues handy to put up here.&lt;br /&gt;&lt;br /&gt;So much packed &amp; tiny energy in "The Spasm," damn. Can't say much except that it gets me every time -- it's not clear to me if that low horn's a stovepipe (Daddy got his name from his hat, not his instrumentation) but it sounds like one anyway. &lt;a href="http://www.oldhatrecords.com/Releases.html" target="newer"&gt;Old Hat releases&lt;/a&gt; some serious stuff.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Memphis Jug Band&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/flashbacks.jpg" width="100" height="100"&gt;&lt;br /&gt;Flashbacks Vol 2: Novelty Songs 1916-46, Crazy &amp; Obscure (2000)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/24 - memphis jug band - insane crazy blues (nov 1934).mp3" target="_blank"&gt;Insane Crazy Blues&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;hear the "jump in line" in that fiddle line?&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Daddy Stovepipe &amp; Mississippi Sarah&lt;/b&gt;  //  &lt;b&gt;Tommie Bradley&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/good.jpg" width="100" height="100"&gt;&lt;br /&gt;Good For What Ails You: Music of the Medicine Shows 1926-37 (2005)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/1-01 The Spasm.mp3" target="_blanker"&gt;The Spasm&lt;/a&gt;  //  &lt;a href="http://www.vslam.org/music/2-18 Nobody's Business If I Do.mp3" target="_blank"&gt;Nobody's Business If I Do&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;&lt;a href="http://www.patmissin.com/articles/PWBHG1.html" target="new"&gt;daddy stovepipe info&lt;/a&gt;&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113820754672454430?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113820754672454430/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113820754672454430&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113820754672454430'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113820754672454430'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/01/cats-got-measles-dogs-got-whooping.html' title='cat&apos;s got the measles, dog&apos;s got the whooping cough'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113806343105675168</id><published>2006-01-23T19:25:00.000-05:00</published><updated>2006-01-23T21:51:20.466-05:00</updated><title type='text'>MA-ON, THOMAS JEFFERSON SLAVE APARTMENTS</title><content type='html'>&lt;center&gt;&lt;br /&gt;&lt;b&gt;Ma-On&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/ma-on.gif" width="100" height="100"&gt;&lt;br /&gt;Ma-On (2005)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/05 - ma-on.mp3" target="blanker"&gt;Ma-On&lt;/a&gt; &amp; &lt;a href="http://www.vslam.org/cranpape/07 - red flower.mp3" target="_blank"&gt;Red Flower&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;written by mako hasegawa (maher's bassoon player); played w/ tori kudo &amp; some of mshb -- order from the amazing &lt;a href="http://www.dasgemeine.com"&gt;das gemeine&lt;/a&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Thomas Jefferson Slave Apartments&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/tjsa.jpg" width="100" height="100"&gt;&lt;br /&gt;No Old Guy Lo-Fi Cry (2000)&lt;br /&gt;&lt;a href="http://www.vslam.org/cranpape/07 - credit.mp3" target="_blank"&gt;Credit&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;big words &amp; thanks to ally at &lt;a href="http://satanisrealagain.blogspot.com"&gt;satan is real again&lt;/a&gt; for getting me into t.j. slave apartments &amp; for being unspeakably rad&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113806343105675168?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113806343105675168/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113806343105675168&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113806343105675168'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113806343105675168'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/01/ma-on-thomas-jefferson-slave.html' title='MA-ON, THOMAS JEFFERSON SLAVE APARTMENTS'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113794053346924294</id><published>2006-01-22T09:21:00.000-05:00</published><updated>2006-01-22T09:35:33.486-05:00</updated><title type='text'>The Pussywillows</title><content type='html'>Elinor Blake --&gt; &lt;b&gt;Pussywillows&lt;/b&gt; w/ Mike Chandler from the Raunch Hands --&gt; Shitbirds --&gt; (Theme song to "Cow &amp; Chicken" cartoon...) --&gt; April March&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;The Pussywillows&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/rutles.jpg" width="100" height="100"&gt;&lt;br /&gt;Rutles Highway Revisited (1990)&lt;br /&gt;&lt;a href="http://www.vslam.org/cranpape/02 Hold My Hand.mp3" target="_blank"&gt;Hold My Hand&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113794053346924294?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113794053346924294/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113794053346924294&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113794053346924294'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113794053346924294'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/01/pussywillows.html' title='The Pussywillows'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113686600364044930</id><published>2006-01-09T22:58:00.000-05:00</published><updated>2006-01-09T23:08:38.433-05:00</updated><title type='text'>UNLV, BG</title><content type='html'>Arrh! I be returnin'! Hopefully, much to your overwhelmin' joy, or at the very lest of it, your utmost terror! Here be swarthy, seasome tunes of my dear, dear home port, from the well loved inhabitants thereof, me 'earties. Avast!&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;UNLV&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/unlv.jpg" width="100" height="100"&gt;&lt;br /&gt;Uptown 4 Life (1996)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/unlv - uptown 4 life - 02 - uptown 4 life.mp3" target="_blank"&gt;Uptown 4 Life&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;I live in a much higher part of the U-P-T, &amp; I fear some of the streets dropped in these songs didn't fare as well as mine. Still, much of it survived, especially on the riverside.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;B. G.&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/choppercityghetto.jpg" width="100" height="100"&gt;&lt;br /&gt;Chopper City in the Ghetto (1999)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/02-b.g - trigga play.mp3" target="_blank"&gt;Trigga Play&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;I'm sure you've heard this, or something off this album. If not, you owe it to yourself to give it a listen.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;I'll be back with more sooner rather than later, unless I get eaten by owls. Yarr!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113686600364044930?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113686600364044930/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113686600364044930&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113686600364044930'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113686600364044930'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/01/unlv-bg.html' title='UNLV, BG'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113614882699118024</id><published>2006-01-01T15:46:00.000-05:00</published><updated>2006-01-01T15:55:12.550-05:00</updated><title type='text'></title><content type='html'>Welcome to the new year; it's about to get even better, so let's earn it.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Mountain Goats&lt;/b&gt;&lt;br /&gt;Live at Yoyo-a-Gogo 7/16 (1997)&lt;br /&gt;&lt;a href="http://www.vslam.org/cranpape/mountain goats - 10 - black molly (live).mp3" target="_blank"&gt;Black Molly&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113614882699118024?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113614882699118024/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113614882699118024&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113614882699118024'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113614882699118024'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2006/01/welcome-to-new-year-its-about-to-get.html' title=''/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113390391289515956</id><published>2005-12-06T16:02:00.000-05:00</published><updated>2005-12-06T16:50:25.940-05:00</updated><title type='text'>GORDONS</title><content type='html'>&lt;font size="3"&gt;&lt;img src="http://vslam.org/images/boy.jpg" height="120" width="80" align="middle"&gt; -- SO WHATS NEW&lt;br /&gt;&lt;img src="http://vslam.org/images/girl.jpg" height="120" width="80" align="middle"&gt; -- Not Much&lt;br /&gt;&lt;img src="http://vslam.org/images/boy.jpg" height="120" width="80" align="middle"&gt; -- THAT IS UNFORTUNATE&lt;/font&gt;&lt;font size="1"&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;The Gordons&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/gordons.jpg" width="100" height="100"&gt;&lt;br /&gt;1st Album [self-titled] (1981)&lt;br /&gt;&lt;a href="http://www.vslam.org/cranpape/07_Laughing%20now.mp3" target="_blank"&gt;Laughing Now&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;/font&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113390391289515956?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113390391289515956/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113390391289515956&amp;isPopup=true' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113390391289515956'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113390391289515956'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/12/gordons.html' title='GORDONS'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113150468474616000</id><published>2005-11-08T21:28:00.000-05:00</published><updated>2005-12-06T15:58:54.113-05:00</updated><title type='text'>vinicius cantuaria, snapper</title><content type='html'>hey&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Vinicius Cantuaria&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/vinicius.jpg" width="100" height="100"&gt;&lt;br /&gt;Sol Na Cara (1997)&lt;br /&gt;&lt;a href="http://www.vslam.org/cranpape/04 Ludo Real.mp3" target="_blank"&gt;Ludo Real&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;i love you, vinicius cantuaria&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Snapper&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/snapper.jpg" width="100" height="100"&gt;&lt;br /&gt;Snapper EP (1988)&lt;br /&gt;&lt;a href="http://www.vslam.org/cranpape/A1 Buddy.mp3" target="_blank"&gt;Buddy&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;i love you, peter gutteridge&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113150468474616000?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113150468474616000/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113150468474616000&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113150468474616000'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113150468474616000'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/11/vinicius-cantuaria-snapper.html' title='vinicius cantuaria, snapper'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113069370491228157</id><published>2005-10-30T12:20:00.000-05:00</published><updated>2005-10-30T14:27:11.943-05:00</updated><title type='text'>Fugs, Magnet</title><content type='html'>&lt;center&gt;&lt;img src="http://vslam.org/images/timmy.jpg"&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&amp; as life gets ridiculous, more more &amp; more, it is increasingly difficult to say what is good &amp; what is bad. these songs probably won't be news.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;The Fugs&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/fugs.jpg" width="100" height="100"&gt;&lt;br /&gt;First Album ("The Village Fugs") (1965)&lt;br /&gt;&lt;a href="http://www.vslam.org/cranpape/07 Carpe Diem.mp3" target="_blank"&gt;Carpe Diem&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Paul Giovanni / Magnet&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/wickerman.jpg" width="100" height="100"&gt;&lt;br /&gt;Wicker Man OST (1973)&lt;br /&gt;&lt;a href="http://www.vslam.org/cranpape/Summer Is A Coming In.mp3" target="_blank"&gt;Summer Is A Coming In&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113069370491228157?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113069370491228157/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113069370491228157&amp;isPopup=true' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113069370491228157'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113069370491228157'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/10/fugs-magnet.html' title='Fugs, Magnet'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113037047049417477</id><published>2005-10-26T18:53:00.000-04:00</published><updated>2005-10-26T19:54:15.846-04:00</updated><title type='text'>Ras Michael &amp; The Sons Of Negus</title><content type='html'>I Sincerely Hope you are having a good day.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Nyahbinghi&lt;/i&gt; is an African word that means "Sons Of Thunder." Ras Michael plays Nyahbinghi.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Ras Michael &amp; The Sons Of Negus&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/rasmichael.jpg" width="100" height="100"&gt; &amp; &lt;img src="http://vslam.org/images/rasmichael2.jpg" width="100" height="100"&gt;&lt;br /&gt;Rastafari Dub / Rastafari (1972 [rec.])&lt;br /&gt;&lt;a href="http://www.vslam.org/cranpape/07 Track 07.mp3" target="_blank"&gt;None A Jah Jah Children No Cry Dub&lt;/a&gt; &amp; &lt;a href="http://www.vslam.org/cranpape/04.It is no secret.mp3" target="_blank"&gt;It Is No Secret&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;&lt;a href="http://www.reggaetrain.com/biorasmichael.asp" target="new1"&gt;info&lt;/a&gt;&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113037047049417477?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113037047049417477/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113037047049417477&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113037047049417477'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113037047049417477'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/10/ras-michael-sons-of-negus.html' title='Ras Michael &amp; The Sons Of Negus'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-113010138999067386</id><published>2005-10-23T16:37:00.000-04:00</published><updated>2005-10-23T21:14:02.413-04:00</updated><title type='text'>Furry Lewis</title><content type='html'>&lt;center&gt;&lt;img src="http://vslam.org/images/furrylewis.jpg" width="380" height="250"&gt;&lt;br /&gt;&lt;i&gt;&lt;font size="1"&gt;I ain't good lookin but I take my time&lt;/font&gt;&lt;font size="2"&gt;&lt;/i&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;Furry Lewis was amazing. Beyond being hands down my favorite slide player, there's something powerfully human about him that, for me, nobody else's got. Not to overstate the dude's talent -- there've been loads of better players, but I haven't heard any who touch his style. All his songs are appropriate for me at one time or another, &amp; here's one of the more polished versions of a favorite.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;b&gt;Furry Lewis&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/furrylewis2.jpg" width="100" height="100"&gt;&lt;br /&gt;In His Prime (Comp) (1927-28)&lt;br /&gt;&lt;a href="http://www.vslam.org/cranpape/03 i will turn your money green.mp3" target="_blank"&gt;I Will Turn Your Money Green&lt;/a&gt;&lt;br /&gt;&lt;/font&gt;&lt;font size="1"&gt;"woman I hate, I see her every day; but the woman I love, she's so far away."&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-113010138999067386?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/113010138999067386/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=113010138999067386&amp;isPopup=true' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113010138999067386'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/113010138999067386'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/10/furry-lewis.html' title='Furry Lewis'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112925378889915622</id><published>2005-10-13T21:29:00.000-04:00</published><updated>2005-10-13T21:39:11.583-04:00</updated><title type='text'>Jean Cohen-Solal</title><content type='html'>Got alerted about this rad &lt;a href="http://myweb.tiscali.co.uk/ultimathule/nww/nwwlist.html" target="_blank"&gt;NWW-listed&lt;/a&gt; business a few months ago. Flutes, flutes, flutes flutefluteflute&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Jean-Cohen Solal&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/jean-cohen_solal.jpg" width="100" height="100"&gt;&lt;br /&gt;Captain Tarthopom (1971)&lt;br /&gt;&lt;a href="http://www.vslam.org/cranpape/06 - captain tarthopom - fossette surprise.mp3" target="_blank"&gt;Fossette Surprise&lt;/a&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112925378889915622?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112925378889915622/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112925378889915622&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112925378889915622'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112925378889915622'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/10/jean-cohen-solal.html' title='Jean Cohen-Solal'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112874315911285759</id><published>2005-10-07T23:40:00.000-04:00</published><updated>2005-10-07T23:58:37.626-04:00</updated><title type='text'>Maher Shalal Hash Baz</title><content type='html'>SOMETIMES you just have to listen to this.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Maher&lt;/b&gt;&lt;br /&gt;These Songs&lt;br /&gt;&lt;a href="http://www.vslam.org/cranpape/02 - these boots are made for walkin'.mp3" target="_blank"&gt;These Boots&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112874315911285759?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112874315911285759/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112874315911285759&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112874315911285759'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112874315911285759'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/10/maher-shalal-hash-baz.html' title='Maher Shalal Hash Baz'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112830260655607979</id><published>2005-10-02T21:16:00.000-04:00</published><updated>2005-10-02T21:27:08.873-04:00</updated><title type='text'>Mick Farren</title><content type='html'>Hi! Yeah, still around. I'm working on something good -- details when there's reason for em.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Mick Farren&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/mf_vamp.jpg" width="100" height="100"&gt;&lt;br /&gt;Vampires Stole My Lunch Money (1978)&lt;br /&gt;&lt;a href="http://www.vslam.org/cranpape/02 Half Price Drinks.mp3" target="_blank"&gt;Half-Priced Drinks&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;from the &lt;a href="http://doc40.blogspot.com/" target="_blank2"&gt;man&lt;/a&gt; who brought you the Deviants&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112830260655607979?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112830260655607979/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112830260655607979&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112830260655607979'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112830260655607979'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/10/mick-farren.html' title='Mick Farren'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112797233742190819</id><published>2005-09-30T16:14:00.000-04:00</published><updated>2005-10-01T13:55:05.980-04:00</updated><title type='text'>Margaret Lewis, Coon Creek Girls, Betty Foley, Skeeter Davis</title><content type='html'>Well, it's been a while since this has been updated.&lt;br /&gt;&lt;br /&gt;First, I'd like to encourage everyone (!) to download the &lt;a href="http://www.alternativetentacles.com/bandinfo.php?band=haroldrayliveinconcert"&gt;Harold Ray mp3s&lt;/a&gt; that Alternative Tentacles has put up. This band is ridiculously fun. If you ever have the opportunity to see them "live in concert," leap on it.&lt;br /&gt;&lt;br /&gt;I have an intense love of old rockabilly/country with female vocals. Although there's much more to learn and so many recordings I'm dying to get my hands on (check out &lt;a href="http://rcs.law.emory.edu/rcs/"&gt;this site&lt;/a&gt; for a hint), I've managed to hoard a decent amount. I'll probably have several posts with this theme--but here's one to start things off. These are all sort of slow; the fiery ones to come.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Margaret Lewis&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/lonesomebluebird.jpg" width="100" height="100"&gt;&lt;br /&gt;Lonesome Bluebird (1995)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Reconsider%20Me.mp3" target="_blank"&gt;Reconsider Me&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Aw, so pretty... Lewis was born in TX and was inspired early-on by the sounds of gospel and R&amp;B (cites Ruth Brown, LaVern Baker, and Sister Rosetta Tharpe). Later, she got involved in the rockabilly scene, going to shows and befriending people like Buddy Holly. Um... I'm trying to summarize these liner notes, but basically she knew and performed with a lot of famous people. Margaret Lewis penned "Reconsider Me" with Mira Smith (who's playing guitar here), and it became a hit for Narvel Felts. I like Margaret's version a lot better.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Full%20Grown%20Man.mp3" target="_blank"&gt;Full Grown Man&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Another song penned by Margaret Lewis. This one was obviously intended to be picked up by a male singer, but gender-bending's fun, so here you are. Again, Mira Smith is on guitar.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Coon Creek Girls&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/earlyradiofavorites.jpg" width="100" height="100"&gt;&lt;br /&gt;Early Radio Favorites (1982)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/PrettyPolly.mp3" target="_blank"&gt;Pretty Polly&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;This is from a collection of the songs Lily May, Rosie, Daisy, and Violet recorded in the '30s. I wish people still had names like that.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt; &lt;b&gt;Betty Foley&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/sugardoll.jpg" width="100" height="100"&gt;&lt;br /&gt;Sugar Doll (2005)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/OldMoon.mp3" target="_blank"&gt;Old Moon&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;In the '50s, Betty Foley recorded a number of charting songs with her famous father Red. Like Margaret Lewis, she performed at the Shreveport, Louisiana Hayride. &lt;i&gt;Sugar Doll&lt;/i&gt; is a fun compilation put out this year by Buffalo Bop. I might up more songs from it another time. Pretty cover art, huh?&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Skeeter Davis&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/theessentialskeeter.jpg" width="100" height="100"&gt;&lt;br /&gt;The Essential Skeeter Davis (1995)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Silver Threads And Golden Needles.mp3" target="_blank"&gt;Silver Threads &amp; Golden Needles&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Yeah, so "Silver Threads &amp; Golden Needles" is one of my favorite songs, actually. It was a toss-up between this version and Wanda Jackson's--both are amazing.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;God, there are all these songs I'm dying to put up that I only have on vinyl. I will learn how to rip one day, promise.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112797233742190819?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112797233742190819/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112797233742190819&amp;isPopup=true' title='11 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112797233742190819'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112797233742190819'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/09/margaret-lewis-coon-creek-girls-betty.html' title='Margaret Lewis, Coon Creek Girls, Betty Foley, Skeeter Davis'/><author><name>phia</name><uri>http://www.blogger.com/profile/07573923455435768124</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>11</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112530285426610703</id><published>2005-08-29T03:56:00.000-04:00</published><updated>2005-08-29T04:13:56.770-04:00</updated><title type='text'>June Gardner</title><content type='html'>This one is for billy, and the hurricane headed for New Orleans.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;June Gardner&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/june.jpg" width="100" height="100"&gt;&lt;br /&gt;99 Plus One (1965-70)&lt;br /&gt;&lt;a href="http://vslam.org/music/09%20Hang%20On%20Sloopy.mp3" target="_blank"&gt;Hang on Sloopy&lt;/a&gt;&lt;br /&gt;&lt;a href="http://vslam.org/music/07%20It's%20Gonna%20Rain.mp3" target="_blank"&gt;It's Gonna Rain&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112530285426610703?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112530285426610703/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112530285426610703&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112530285426610703'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112530285426610703'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/08/june-gardner.html' title='June Gardner'/><author><name>cadet</name><uri>http://www.blogger.com/profile/12836865545414288950</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://homepage.mac.com/johnmm/comethead.png'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112526355482435243</id><published>2005-08-28T17:02:00.000-04:00</published><updated>2005-08-28T17:12:34.833-04:00</updated><title type='text'>Primitive Calculators, The Units</title><content type='html'>I like quickies.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Primitive Calculators&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/pricalc.jpg" width="100" height="100"&gt;&lt;br /&gt;Primitive Calculators (1978)&lt;br /&gt;&lt;a href="http://vslam.org/music/02%20Do%20That%20Dance.mp3" target="_blank"&gt;Do That Dance&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Units&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/units.jpg" width="100" height="100"&gt;&lt;br /&gt;Digital Stimulation (1980)&lt;br /&gt;&lt;a href="http://vslam.org/music/01%20High%20Pressure%20Days.mp3" target="_blank"&gt;High Pressure Days&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;maximum volume is recommended.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112526355482435243?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112526355482435243/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112526355482435243&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112526355482435243'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112526355482435243'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/08/primitive-calculators-units.html' title='Primitive Calculators, The Units'/><author><name>cadet</name><uri>http://www.blogger.com/profile/12836865545414288950</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://homepage.mac.com/johnmm/comethead.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112510637783441361</id><published>2005-08-26T19:59:00.000-04:00</published><updated>2005-08-26T21:32:57.843-04:00</updated><title type='text'>Casiotones for the Painfully Alone, The Enemy, L. Voag, Music Tapes, Television Personalities</title><content type='html'>I guess like everyone else around here I was in California for a week or something a few weeks ago and since I've been back work has been all over me; not to mention the silly personal crap thats been happening. So a large "sorry" to the vslam good guys. At least in the mean time I've been able to pile up a nice stack of tracks that I want to post about, so I have ammunition. There isn't really a theme going for this post or anything, besides being totally badass. &lt;br /&gt;&lt;br /&gt;Casiotones for the Painfully Alone is, uh I don't know...cute, sorrowful, innocent, hilarious and often all at the same time. The Enemy was according to legend the first Kiwipunk band to perform original songs, and more importantly (I think) was the very first band of the Chris Knox/Alec Bathgate projects (see also, Toy Love and Tall Dwarfs). I don't think there is enough I could say about L. Voag (aka, Amos, Vic Serf, Narki Brillians, "that guy from the Homosexuals", etc etc etc) a blatant mastermind, obvious weirdo, and DIY diety, if you don't own the Homosexuals Record stop right now and go buy it. Music Tapes are sort of part of the Elephant 6 family of bands (Neutral Milk Hotel, Apples in Stereo, etc), except way more otherwordly and juvenile in a great way, this album sounds like a what a surrealist tapestry would sound like if tapestries were inclined to make sounds. Finally, the Television Personalities; and I am tired of typing and you are tired of reading, but basically after the Swell Maps disbanded the members went off to other projects, Jowe Head went off to the Television Personalities.  &lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Casiotones for the Painfully Alone&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/casiotones.jpg" width="100" height="100"&gt;&lt;br /&gt;Answering Machine Music: A Brief Album in Twelve Parts (2000)&lt;br /&gt;&lt;a href="http://vslam.org/music/08%20-%20Baby,%20It's%20You.mp3" target="_blank"&gt;Baby, It's You&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;I am completely, hopelessly in love with album since yesterday.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Enemy&lt;/b&gt;&lt;br&gt;&lt;br /&gt;Pull Down the Shades (1978)&lt;br /&gt;&lt;a href="http://vslam.org/music/15%20Iggy%20Told%20Me.mp3" target="_blank"&gt;Iggy Told Me&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Admittedly a pretty long song, but undisputedly one of the greatest punk songs I've ever heard.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;L. Voag&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/voag.jpg" width="100" height="100"&gt;&lt;br /&gt;The Way Out (1997)&lt;br /&gt;&lt;a href="http://vslam.org/music/Kitchen.mp3" target="_blank"&gt;Kitchen&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;How can't you love a song about appliances?&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Music Tapes&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/musictapes.jpg" width="100" height="100"&gt;&lt;br /&gt;First Imaginary Symphony for Nomad (1999)&lt;br /&gt;&lt;a href="http://vslam.org/music/09%20What%20the%20Single%20Made%20the%20Needle%20Sing.mp3" target="_blank"&gt;What the Single Made the Needle Sing&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Indiepop to the max!&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Television Personalities&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/tv.jpg" width="100" height="100"&gt;&lt;br /&gt;...And Don't the Kids Just Love It (1980)&lt;br /&gt;&lt;a href="http://vslam.org/music/08%20I%20Know%20Where%20Syd%20Barrett%20Lives.mp3" target="_blank"&gt;I Know Where Syd Barrett Lives&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Like songs about appliances, how can't you love songs about Syd?&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112510637783441361?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112510637783441361/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112510637783441361&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112510637783441361'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112510637783441361'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/08/casiotones-for-painfully-alone-enemy-l.html' title='Casiotones for the Painfully Alone, The Enemy, L. Voag, Music Tapes, Television Personalities'/><author><name>cadet</name><uri>http://www.blogger.com/profile/12836865545414288950</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://homepage.mac.com/johnmm/comethead.png'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112506417424928734</id><published>2005-08-26T09:30:00.000-04:00</published><updated>2005-08-26T09:53:26.746-04:00</updated><title type='text'>Cotten, Ritchie, Moore, Horton, Miller, Shocking Blue, Buttholes</title><content type='html'>It's 8:30 am. My houseguest is sleeping still, so I have to do this without sound, so it's very strange. I have an urge to share some tunes, though, so I'm going to risk the sound of typing.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Elizabeth Cotten&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/elizcotten.jpg" width="100" height="100"&gt;&lt;br /&gt;Shake Sugaree (2004)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/22 - little brown jug.mp3" target="_blank"&gt;Little Brown Jug&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Elizabeth Cotten is a beautiful lady who really needs no introduction. I really like this tune. Can't really think of more to say about it. The lady was a southpaw, as many of you might know, &amp; played her instruments upside down or backwards.&lt;/font&gt;&lt;/center&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Jean Ritchie&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/jeanritchie.jpg" width="100" height="100"&gt;&lt;br /&gt;Ballads From Her Appalachian Family Tradition (1961)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/03. hangman.mp3" target="_blank"&gt;Hangman&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;I should really save this one for the post I intended to make of songs about hanging, but whatever. I always get chills listening to this one. Right around my neck, too.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Christy Moore&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/christymoore.jpg" width="100" height="100"&gt;&lt;br /&gt;Box Set 1964-2004 (2004)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Christy_Moore_-_The_Box_Set_-_Yellow_-_07_-_Hey_Ronnie_Reagan.mp3" target="_blank"&gt;Hey, Ronnie Reagan&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;This tune is a little dated, but the chorus is so much fun to sing along to. My disrespectful nature makes me want to say that it should have been played at Reagan's funeral.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Johnny Horton&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/johnnyhorton.jpg" width="100" height="100"&gt;&lt;br /&gt;Johnny Horton's Greatest Hits (1961)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/johnny horton (56) - honky tonk man.mp3" target="_blank"&gt;Honky Tonk Man&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;An old classic, but I've been playing it pretty nonstop lately. This is the kinda country music you can dance to &amp; not feel like a damned fool.&lt;/font&gt;&lt;/center&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Roger Miller&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/rogermiller.jpg" width="100" height="100"&gt;&lt;br /&gt;Dang Me! (1992)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/roger miller - england swings.mp3" target="_blank"&gt;England Swings&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;The more I listen to this, the more I think that it could be a commercial for England's tourism industry, but the damned tune is so catchy, I keep listening anyway. This is also one of my mom's favorites, which explains more than it doesn't.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Shocking Blue&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/shockingblue.jpg" width="100" height="100"&gt;&lt;br /&gt;Singles A's &amp; B's (1998)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/01 - Shocking Blue - Never Marry A Railroad Man.mp3" target="_blank"&gt;Never Marry a Railroad Man&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Honestly, I feel this is just the sort of advice we should give to the kids these days.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;The Butthole Surfers&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/bhsurfers.jpg" width="100" height="100"&gt;&lt;br /&gt;The Hole Truth... And Nothing Butt (1995)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/17-wnyu interview.mp3" target="_blank"&gt;WNYU Interview&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Not a song but an interview. My friend Scott quotes from this all the time. It's kinda surreal &amp; absolutely hilarious.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;Feedback would be much appreciated. Also, I'm hereby once again begging for company on this lonely little site.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112506417424928734?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112506417424928734/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112506417424928734&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112506417424928734'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112506417424928734'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/08/cotten-ritchie-moore-horton-miller.html' title='Cotten, Ritchie, Moore, Horton, Miller, Shocking Blue, Buttholes'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112377924905096821</id><published>2005-08-11T12:46:00.000-04:00</published><updated>2005-08-11T12:54:09.056-04:00</updated><title type='text'>Suplecs, Outlaw Order</title><content type='html'>Hard, heavy sludge. New Orleans does this shit best. Anyone who says otherwise, well, we'll have words. And knives.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Suplecs&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/suplecs.jpg" width="100" height="100"&gt;&lt;br /&gt;Wrestlin' With My Lady Friend (2000)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/suplecs - dope fu.mp3" target="_blank"&gt;Dope Fu&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;C'mon, darlin', let's throwdown &amp; get dirty.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Outlaw Order&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/outlaworder.jpg" width="100" height="100"&gt;&lt;br /&gt;Legalize Crime 7" (2003)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/02. illegal on 50 states.mp3" target="_blank"&gt;Illegal in 50 States&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Ex-Eyehategod members in this group. Makes your ribcage rattle.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112377924905096821?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112377924905096821/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112377924905096821&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112377924905096821'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112377924905096821'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/08/suplecs-outlaw-order.html' title='Suplecs, Outlaw Order'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112354655755841267</id><published>2005-08-08T17:15:00.000-04:00</published><updated>2005-08-08T20:19:23.073-04:00</updated><title type='text'>Bettye LaVette</title><content type='html'>Hey guys. I, too, am back from LA -- or rather, a tiny LA suburb. But here is music.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Bettye LaVette&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/bluesoul.jpg" width="100" height="100"&gt;&lt;br /&gt;Bluesoul Belles (2005)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Let%20Me%20Down%20Easy.mp3" target="_blank"&gt;Let Me Down Easy&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Bettye LaVette is amazing.&lt;/font&gt;&lt;br /&gt;&lt;a href="http://www.vslam.org/music/I%20Feel%20Good%20All%20Over%20%28Take%201%29.mp3" target="_blank"&gt;I Feel Good All Over&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Bettye LaVette is amazing again.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Walter Gibbons&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/doing_the_best_i_can.gif" width="100" height="100"&gt;&lt;br /&gt;Doin' the Best That I Can 12" (1978)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Gibbons%20Doin%20The%20Best%20That%20I%20Can.mp3" target="_blank"&gt;Doin' the Best that I Can&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Walter Gibbons remixes of Bettye LaVette are amazing.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Quick background: the lady hails from Detroit, and the first two songs I picked are off a brilliant compilation that came out earlier this year--&lt;i&gt;Bluesoul Belles,&lt;/i&gt; with "the complete Calla, Port, and Roulette recordings" of Ms LaVette and another woman, Carol Fran. LaVette has a very interesting history, but I'm not in the mood to type it out right now (an edit is in the works, friends; I will elaborate on Gibbons too).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112354655755841267?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112354655755841267/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112354655755841267&amp;isPopup=true' title='11 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112354655755841267'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112354655755841267'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/08/bettye-lavette.html' title='Bettye LaVette'/><author><name>phia</name><uri>http://www.blogger.com/profile/07573923455435768124</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>11</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112187862623812264</id><published>2005-07-20T12:42:00.000-04:00</published><updated>2005-07-20T12:58:30.163-04:00</updated><title type='text'>THE CANNANES</title><content type='html'>I just got back from L.A. and I'm pretty sad today! Frances Gibson has one of my favorite voices and so Francesca Bussey comes close. I listen to this a lot on planes. Most of the tracks are great, I mean it.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;The Cannanes&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/selftitled.jpg" width="100" height="100"&gt;&lt;br /&gt;The Cannanes (1995)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/07. get on down.mp3" target="_blank"&gt;Get On Down&lt;/a&gt; &amp; &lt;a href="http://www.vslam.org/music/12. swing, you little red devil.mp3" target="_blank"&gt;Swing, You Little Red Devil&lt;/a&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112187862623812264?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112187862623812264/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112187862623812264&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112187862623812264'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112187862623812264'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/07/cannanes.html' title='THE CANNANES'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112173834091939640</id><published>2005-07-18T21:46:00.000-04:00</published><updated>2005-07-18T21:59:00.926-04:00</updated><title type='text'>The Lowest of the Low, Weddings Parties Anything</title><content type='html'>Zach was saying to me the other day he was wary of putting up songs that were too personal, which tended to be his favorites. Well, it was a while after he said that that I realized I have avoided posting songs by two of my favorite groups for just that reason. And that's dumb (which is to say, I understand completely why anyone would do such a thing, but I refuse to let myself). I'm gonna post them. Feedback would be greatly appreciated.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;The Lowest of the Low&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/lotl.jpg" width="100" height="100"&gt;&lt;br /&gt;Shakespeare, My Butt (1991)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/lowest of the low - under the carlaw bridge.mp3" target="_blank"&gt;Under the Carlaw Bridge&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;The line "there's people more together than I'll ever be" is one of the most strangely comforting lines in the history of music.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Weddings, Parties, Anything&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/wpa.jpg" width="100" height="100"&gt;&lt;br /&gt; ...They Were Better Live: Live At The Central Club Christmas, 1998 (1999)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Weddings Parties Anything - Step In Step Out.mp3" target="_blank"&gt;Step In, Step Out&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Another bittersweet tune. I'm secretly a romantic. Don't tell anyone, please?&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112173834091939640?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112173834091939640/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112173834091939640&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112173834091939640'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112173834091939640'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/07/lowest-of-low-weddings-parties.html' title='The Lowest of the Low, Weddings Parties Anything'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112161477952581468</id><published>2005-07-17T11:28:00.000-04:00</published><updated>2005-07-17T11:39:39.533-04:00</updated><title type='text'>Ernie K-Doe, Ann Peebles</title><content type='html'>A mixed pair today. Pretty much just lettin' the songs stand for themselves:&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Ernie K-Doe&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/k-doe.jpg" width="100" height="100"&gt;&lt;br /&gt;A Real Mother-in-Law for Ya (2002)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/25) ernie k-doe - penny worth of happiness.mp3" target="_blank"&gt;Pennyworth of Happiness&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Burn! K-Doe burn!&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Ann Peebles&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/peebles.jpg" width="100" height="100"&gt;&lt;br /&gt;I Can't Stand the Rain (1974)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/01 - ann peebles - i can't stand the rain.mp3" target="_blank"&gt;I Can't Stand the Rain&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;A thousand thanks to Sophia for turning me on to Ann Peebles.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112161477952581468?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112161477952581468/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112161477952581468&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112161477952581468'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112161477952581468'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/07/ernie-k-doe-ann-peebles.html' title='Ernie K-Doe, Ann Peebles'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112154977831834387</id><published>2005-07-16T17:31:00.000-04:00</published><updated>2005-07-16T17:37:42.360-04:00</updated><title type='text'>Meade Lux Lewis, John Lewis</title><content type='html'>Tempted to add Jerry Lee Lewis, but I promised myself only two a day. Some fine piano playing:&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Meade Lux Lewis&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/lux lewis.jpg" width="100" height="100"&gt;&lt;br /&gt;Cat House Piano (1998)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/04 - torpedo juice.mp3" target="_blank"&gt;Torpedo Juice&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;I find both these dudes to be very chill ivory ticklers. Good relaxing music.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;John Lewis&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/john lewis.jpg" width="100" height="100"&gt;&lt;br /&gt;The John Lewis Piano (1956)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/01.harlequin.mp3" target="_blank"&gt;Harlequin&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Maybe even more chill than the last one. Almost sleepy, it's so relaxing, but not boring.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112154977831834387?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112154977831834387/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112154977831834387&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112154977831834387'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112154977831834387'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/07/meade-lux-lewis-john-lewis.html' title='Meade Lux Lewis, John Lewis'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112145023628800473</id><published>2005-07-15T13:51:00.000-04:00</published><updated>2005-07-15T13:57:16.293-04:00</updated><title type='text'>Ernest Tubb, Faron Young</title><content type='html'>A pair of country favorites:&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Ernest Tubb&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/old et.jpg" width="100" height="100"&gt;&lt;br /&gt;Walking the Floor Over You (The Hits, Vol. 1) (2003)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Ernest Tubb - It's Been So Long, Darling.mp3" target="_blank"&gt;It's Been So Long, Darling&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Tubb is one of the more influential country singers that graced the airwaves back in the day. This tune is one of those moaning country songs that hits me right between the eyes.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Faron Young&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/faron.jpg" width="100" height="100"&gt;&lt;br /&gt;Hello, Walls (2002)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/faron young - unmitigated gall.mp3" target="_blank"&gt;Unmitigated Gall&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;A cover of a Mel Tillis tune, if I am not mistaken. A quirky tune that hit the top ten for Young back in the late 60s.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112145023628800473?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112145023628800473/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112145023628800473&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112145023628800473'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112145023628800473'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/07/ernest-tubb-faron-young.html' title='Ernest Tubb, Faron Young'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112135856971038253</id><published>2005-07-14T12:22:00.000-04:00</published><updated>2005-07-14T12:29:29.720-04:00</updated><title type='text'>Doc Watson, Merle Travis</title><content type='html'>A few old men:&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Merle Travis&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/merle travis.jpg" width="100" height="100"&gt;&lt;br /&gt;Guitar Rags &amp; a Too Fast past (1994)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/07 - merle travis - god put a rainbow in the clouds (&amp; wesley tuttle).mp3" target="_blank"&gt;God Put a Rainbow in the Clouds&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;This tune is one of those old religious tunes that make you wanna clap your hands &amp; love Jesus. It's from this sweet five CD boxed set that I wouldn't mind getting my hands on. Wesley Tuttle played guitar on this track, if I am not mistaken.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Doc Watson&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/doc watson.jpg" width="100" height="100"&gt;&lt;br /&gt;Third Generation Blues (1999)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Doc Watson &amp; Richard Watson - St. James Infirmary.mp3" target="_blank"&gt;St. James Infirmary&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;I have so many good versions of this tune, actually, the best being James Booker's, but this one is aces as well. Doc &amp; Richard Watson are in on this one. Doc Watson was heavily influenced by Merle Travis.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112135856971038253?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112135856971038253/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112135856971038253&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112135856971038253'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112135856971038253'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/07/doc-watson-merle-travis.html' title='Doc Watson, Merle Travis'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112128166773557146</id><published>2005-07-13T14:46:00.000-04:00</published><updated>2005-07-13T15:09:09.830-04:00</updated><title type='text'>Alvin Lucier, Tony Conrad</title><content type='html'>Cold, mildly terrifying pieces:&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Tony Conrad&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/tony conrad.jpg" width="100" height="100"&gt;&lt;br /&gt;Slapping Pythagoras (1995)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Tony Conrad - The Heterophony Of The Avenging Democrats.mp3" target="_blank"&gt;The Heterophony of the Avenging Democrats, Outside, Cheers the Incineration&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;A very long, droning piece that, I feel, is really quite brutal. It is like listening to all the sinners in Hell. It's one of my favorite bits of music, for that very reason. It's like running a marathon.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Alvin Lucier&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/lucier.jpg" width="100" height="100"&gt;&lt;br /&gt;Still Lives (2001)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/09 - still lives - bread knife.mp3" target="_blank"&gt;Still Lives: Bread Knife&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;I was thinking of putting up "I Am Sitting in a Room," but I felt two pieces that were roughly 20 minutes long was too much, so I picked a shorter selection from Lucier. He's more haunting than brutal, far colder a tune than Conrad's stuff, but still the sort of music that makes the skin crawl &amp; dark rooms seem much darker.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112128166773557146?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112128166773557146/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112128166773557146&amp;isPopup=true' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112128166773557146'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112128166773557146'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/07/alvin-lucier-tony-conrad.html' title='Alvin Lucier, Tony Conrad'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112118395904394224</id><published>2005-07-12T11:51:00.000-04:00</published><updated>2005-07-12T12:03:15.180-04:00</updated><title type='text'>EWAN MACCOLL, JOHN BERTRAND</title><content type='html'>A pair of songs by people with funny accents:&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Ewan MacColl&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/ewan.jpg" width="100" height="100"&gt;&lt;br /&gt;Black &amp; White:the Definitive Collection (1990)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/ewan maccoll - the maid gaed tae the mill.mp3" target="_blank"&gt;"The Maid Gaed Tae the Mill"&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;That's English he's speaking. The song is about sex. This song is good for singing along with loudly.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;John Bertrand&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/cajun.jpg" width="100" height="100"&gt;&lt;br /&gt;Early American Cajun Music (1999)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/john bertrand - the swallows.mp3" target="_blank"&gt;"The Swallows"&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Bertrand was around in the 1920s, &amp; I don't think his work can be found outside of various Cajun compilations here &amp; there. The song is in French (I think), it's hard to tell. I love the scratchiness of this track (kinda adds a quaint charm to it), but some might not like how it interferes with the music.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;So far, so good.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112118395904394224?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112118395904394224/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112118395904394224&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112118395904394224'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112118395904394224'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/07/ewan-maccoll-john-bertrand.html' title='EWAN MACCOLL, JOHN BERTRAND'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112113185968252320</id><published>2005-07-11T20:48:00.000-04:00</published><updated>2005-07-11T21:36:21.910-04:00</updated><title type='text'>summer is tired</title><content type='html'>Hey, hey. I've been busy for most of these last two months and when I haven't been, I've been busy wallowing in petulant boredom, smoking unnecessary marijuana and swimming. So here I am.&lt;br /&gt;&lt;br /&gt;I'll start out with the Radio Stars' signature track. Don't know much about these guys except that the lead singer's a former member of John's Children, that they were one of the many bands in the quirky power pop late 70's scene, and that I love this song.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;The Radio Stars&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/radiostars8973.jpg" width="100" height="100"&gt;&lt;br /&gt;Nervous Wreck (1977)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/radio stars - nervous wreck.mp3" target="_blank"&gt;Nervous Wreck&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;Everyone should know this song &amp; I'm probably not opening many doors here, but here's the Records' "Starry Eyes" from the compilation of the same name. The stuff of summer, y'know.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;b&gt;The Records&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/00040296_b001.jpg" width="100" height="100"&gt;&lt;br /&gt;Starry Eyes: UK Pop II 1978-79&lt;br /&gt;&lt;a href="http://www.vslam.org/music/12 starry eyes _ the records.mp3" target="_blank"&gt;Starry Eyes&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;The first thing I thought when I heard the G.T.O.'s' only album was, "Wow!" It's some of the same, some of what you'd expect for sure, but a whole lot more exciting and earnest than the gimmick its description implies. G.T.O.'s stands for Girls Together Outrageously, &amp; that's what they are: a group of L.A. groupies led by Pamela Des Barres, the infamous supergroupie. As if that's not enough, it's loaded with skits and produced by Frank Zappa. These are two of my favorite tracks in order of acceptabilitude.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;b&gt;The G.T.O.'s&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/60s68.jpg" width="100" height="100"&gt;&lt;br /&gt;Permanent Damage&lt;br /&gt;&lt;a href="http://www.vslam.org/music/17 - I'm in Love With the Ooo-Ooo Man.mp3" target="_blank"&gt;I'm In Love With The Ooh Ooh Man&lt;/a&gt; and &lt;a href="http://www.vslam.org/music/11 - I Have a Paintbrush in My Hand to Color a Triangle.mp3" target="_blank"&gt;I Have A Paintbrush In My Hand To Color A Triangle&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;To top it off, here's an amazing (if a little long) live acoustic version of T. Rex's "Cosmic Dancer" along with a cover by Tori Kudo and a version of MSHB's "Interview" done with Ouch Sinsuke &amp; Seki Masaharu. I hope I'll be posting more this summer but more than that, I hope you like everything you hear here. Thanks &amp; you're welcome!&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;b&gt;Marc Bolan&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/6422456.jpg" width="100" height="100"&gt;&lt;br /&gt;Acoustic Warrior (1999)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/12_Cosmic Dancer.mp3" target="_blank"&gt;Cosmic Dancer&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;unclear when this was recorded but the collection came out in '99&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Tori Kudo&lt;/b&gt;&lt;br /&gt;Don't Fear An Adjoining Island: Tori Kudo, Kinutapan &amp; Yumbo (Live 2004)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/17 - tori kudo - cosmic dancer.mp3" target="_blank"&gt;Cosmic Dancer&lt;/a&gt; and &lt;a href="http://www.vslam.org/music/15 - tori kudo &amp; ouch shinsuke, seki masaharu - interview.mp3" target="_blank"&gt;Interview&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112113185968252320?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112113185968252320/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112113185968252320&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112113185968252320'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112113185968252320'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/07/summer-is-tired.html' title='summer is tired'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112110152878379420</id><published>2005-07-11T12:55:00.000-04:00</published><updated>2005-07-11T13:07:04.346-04:00</updated><title type='text'>CHAMPION JACK DUPREE, SUNNYLAND SLIM</title><content type='html'>I am gonna try to post two songs a day for the next ten days or so. Yell at me if I fall behind.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Champion Jack Dupree&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/dupree.jpg" width="100" height="100"&gt;&lt;br /&gt;Live With the Big Town Playboys (1998)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/champion_jack_dupree-live_with_the_big_town_playboys-10-bring_me_flowers_when_im_living.mp3" target="_blank"&gt;"Bring Me Flowers When I'm Living"&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;A nice, long, relaxed blues tune, depressing &amp; dark. Dupree is one of those old New Orleans bluesmen that inspired the likes of Professor Longhair &amp; the like.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Sunnyland Slim&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/sunnyland.jpg" width="100" height="100"&gt;&lt;br /&gt;Midnight Jump (1969)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/03. sunnyland special.mp3" target="_blank"&gt;"Sunnyland Special"&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;With Willie Dixon, Walter Horton, Johnny Shines, &amp; Clifton James, Slim knocks out an upbeat little blues number.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112110152878379420?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112110152878379420/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112110152878379420&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112110152878379420'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112110152878379420'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/07/champion-jack-dupree-sunnyland-slim.html' title='CHAMPION JACK DUPREE, SUNNYLAND SLIM'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112107133171528517</id><published>2005-07-11T04:32:00.000-04:00</published><updated>2005-07-11T04:42:11.730-04:00</updated><title type='text'>Soul in '69</title><content type='html'>Hey, this is Vivek - Zach's been kind enough to allow me to post here, so I guess I'm the newest member of the VSlam team.  I thought I'd start out with some pretty basic, but solid stuff - 4 simple Soul tracks from 1969.  I hope you like the stuff, feel free to comment if you don't (or even if you do!).&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;strong&gt;Howard Tate&lt;/strong&gt;&lt;br /&gt;&lt;img height="100" src="http://www.vslam.org/images/howardtate.jpg" width="100" /&gt;&lt;br /&gt;Howard Tate's Reaction (1969)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Howard Tate - My Souls Got a Hole in it.mp3" target="_blank"&gt;My Soul's Got a Hole in It&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;You might recognize Howard Tate as a member of the Gainors - the Philly doo-wop group that featured the likes of Soul Sensation Garnet Mimms.  His solo career picked up in the late 60's with a few minor hits, but much of his fame has been gathered through covers from artists ranging from Hendrix to Masekela to B.B. King.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;David Ruffin&lt;/b&gt;&lt;br /&gt;&lt;img height="100" src="http://www.vslam.org/images/davidruffin.jpg" width="100" /&gt;&lt;br /&gt;My Whole World Ended (1969)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/David Ruffin - Ive Lost Everything Ive Ever Loved.mp3" target="_blank"&gt;I've Lost Everything I've Ever Loved&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;David Ruffin, of course, was the signature voice of the Temptations before his Ego swelled and he decided to split from the group.  This unfortunate parting has led many to discredit Ruffin's solo career, which is unfortunate.  &lt;em&gt;My Whole World Ended&lt;/em&gt; is a fantastic album, and this particular track is one of the best on it.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Otis Redding&lt;/b&gt;&lt;br /&gt;&lt;img height="100" src="http://www.vslam.org/images/otisredding.jpg" width="100" /&gt;&lt;br /&gt;Love Man (1969)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Otis Redding - Direct Me.mp3" target="_blank"&gt;Direct Me&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;If you listen to any Soul music at all, you know Otis, so I won't even bother.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Garland Green&lt;/b&gt;&lt;br /&gt;&lt;img height="100" src="http://www.vslam.org/images/garlandgreen.jpg" width="100" /&gt;&lt;br /&gt;Jealous Kind of Fella (1969)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Garland Green - I Cant Believe You Quit Me.mp3" target="_blank"&gt;I Can't Believe You Quit Me&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;The title track of Green's &lt;em&gt;Jealous Kind of Fella&lt;/em&gt; turned him into a one-hit wonder, which is surprising considering how good a lot of his other songs are.  This is one of the better ones.&lt;/span&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112107133171528517?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112107133171528517/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112107133171528517&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112107133171528517'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112107133171528517'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/07/soul-in-69.html' title='Soul in &apos;69'/><author><name>Vivek</name><uri>http://www.blogger.com/profile/13003746243295655999</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112029785003487899</id><published>2005-07-02T05:06:00.000-04:00</published><updated>2005-07-02T05:50:50.040-04:00</updated><title type='text'>summer is for lovers</title><content type='html'>I'm in a particularly sappy mood this evening.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Lene Lovich&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/lene.jpg" width="100" height="100"&gt;&lt;br /&gt;Stateless (1979)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/IThinkWereAloneNow.mp3" target="_blank"&gt;I Think We're Alone Now&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Gal Costa&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/gal.jpg" width="100" height="100"&gt;&lt;br /&gt;Gal Costa [Mercury #1] (1969)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Baby.mp3" target="_blank"&gt;Baby&lt;/a&gt;&lt;br /&gt;granted, I only speak english and therefore understand all of "Baby, baby, I love you" but I've got a good feeling this is a love song. anyone want to enlighten me with a translation?&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Sam Cooke&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/sam.jpg" width="100" height="100"&gt;&lt;br /&gt;Sam Cooke (1958)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/YouSendMe.mp3" target="_blank"&gt;You Send Me&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Old 97s&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/97s.jpg" width="100" height="100"&gt;&lt;br /&gt;Wreck Your Life (1997)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/YouBelongToMyHeart.mp3" target="_blank"&gt;You Belong To My Heart&lt;/a&gt;&lt;br /&gt;I hope this one doesn't get me thrown out, but their old stuff is really really great.&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;kiss somebody today.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112029785003487899?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112029785003487899/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112029785003487899&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112029785003487899'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112029785003487899'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/07/summer-is-for-lovers.html' title='summer is for lovers'/><author><name>cadet</name><uri>http://www.blogger.com/profile/12836865545414288950</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://homepage.mac.com/johnmm/comethead.png'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-112009928769890559</id><published>2005-06-29T22:23:00.000-04:00</published><updated>2005-06-29T22:43:41.173-04:00</updated><title type='text'>FIDDLIN' FRENCHIE BURKE, ALICIA SVIGALS, NORMAN EDMONDS, THE DALRIADA BROTHERS</title><content type='html'>Fiddlesticks.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;FIDDLIN' FRENCHIE BURKE&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/frenchie burke.jpg" width="100" height="100"&gt;&lt;br /&gt;Cajun Memories (2002)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/08 - fiddlin' frenchie burke - devil's dream.mp3" target="_blank"&gt;Devil's Dream&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;This tune is as old as the hills, &amp; one of those that I have yet to hear a bad version of.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;ALICIA SVIGALS&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/svigals.jpg" width="100" height="100"&gt;&lt;br /&gt;Fidl: Klezmer Violin (1997)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/alicia svigals - fidl - klezmer violin - 04- romanian fantasy no. 1.mp3" target="_blank"&gt;Romanian Fantasy No. 1&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Svigals is in the Klezmatics, but this tune is from her solo album.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;NORMAN EDMONDS&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/ballads and breakdowns.jpg" width="100" height="100"&gt;&lt;br /&gt;Southern Journey, Vol. 2: Ballads &amp; Breakdowns (1959)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/07 - bonaparte's retreat - norman edmonds.mp3" target="_blank"&gt;Bonaparte's Retreat&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;The compilation this is from was one of those Lomax recordings from the Blue Ridge Mountains. This particular song is a very short, instrumental version, I believe, of what would be the popular country tune by the same name (best done, I feel, by Johnny Horton). Originally, it was an Irish reel, if I am not mistaken.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;THE DALRIADA BROTHERS&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/dalriadas.jpg" width="100" height="100"&gt;&lt;br /&gt;Farewell to Ireland (1991)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Dalriada Brothers - Tripping Up the Stairs.mp3" target="_blank"&gt;Tripping Up the Stairs&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;Irish music on fiddle. I love the tunes I have found by this group, but haven't found much information on them.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;Hey! You! I'm calling you out! Drop some tunes! Throw down! You know who you are!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-112009928769890559?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/112009928769890559/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=112009928769890559&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112009928769890559'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/112009928769890559'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/06/fiddlin-frenchie-burke-alicia-svigals.html' title='FIDDLIN&apos; FRENCHIE BURKE, ALICIA SVIGALS, NORMAN EDMONDS, THE DALRIADA BROTHERS'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111893746103755774</id><published>2005-06-16T11:48:00.000-04:00</published><updated>2005-06-16T17:59:57.366-04:00</updated><title type='text'>MUNGO JERRY, JIMMIE DAVIS</title><content type='html'>It is now summer pretty much anywhere you head in the more reasonable latitudes of the northern hemisphere. Some time last year, my good friend Scott idly asked about a song he had long enjoyed but never tracked down, &amp; I, in a moment of pure coincidence, happened to know exactly the song, which I had on my computer. That song was the only hit song Mungo Jerry ever had, a crazy little tune called "In the Summertime." &lt;br /&gt;&lt;br /&gt;Now, I've never heard anything else by Mungo Jerry, but I damned well should. This song is about the perfect summer time music. It's hilarious (&amp; sexist, but we'll let that slide), light, even a little danceable, if you don't mind lookin' foolish (who does these days?), but mostly, this is a song for singing along. &lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;MUNGO JERRY&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/mungo jerry.jpg" height="100" width="100"&gt;&lt;br /&gt;In the Summertime (1970)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Oldies - In the Summertime.mp3" target="_blank"&gt;"In the Summertime"&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;"We love everybody but we do as we please!"&lt;/span&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;A while back, I promised if I ever got a copy of the original "You Are My Sunshine," I would post it. Well, here it is! Coincidentally, also perfect summer listening.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;JIMMIE DAVIS&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/jimmie davis.jpg" height="100" width="100"&gt;&lt;br /&gt;In the Summertime (1970)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/073 Jimmie Davis - You Are My Sunshine.MP3" target="_blank"&gt;"You Are My Sunshine"&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;One of these days, I'll find his resignation speech, too&lt;/span&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111893746103755774?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111893746103755774/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111893746103755774&amp;isPopup=true' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111893746103755774'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111893746103755774'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/06/mungo-jerry-jimmie-davis.html' title='MUNGO JERRY, JIMMIE DAVIS'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111812559138068606</id><published>2005-06-07T02:23:00.000-04:00</published><updated>2005-06-07T02:26:42.446-04:00</updated><title type='text'>15 Minutes of Filth &amp; Depravity</title><content type='html'>Without further ado, I present to you: Jelly Roll Morton's, Make Me A Pallet On The Floor. There is a LOT I could say about this track, but half the fun of this song is not knowing what you are getting into until it's too late. So if you want to spoil the spontaneousness &lt;a href="Javascript:onClick=PostPopUp();"&gt;click here&lt;/a&gt;. Otherwise, listen to the song then click the "the review" link below.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Jelly Roll Morton&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/anamule.jpg" width="100" height="100"&gt;&lt;br /&gt;Anamule Dance (1938)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/JellyRollMorton.MakeMeAPalletOnTheFloor.mp3" target="_blank"&gt;Make Me A Pallet On The Floor&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;&lt;a href="Javascript:onClick=PostPopUp();"&gt;the review&lt;/a&gt;&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111812559138068606?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111812559138068606/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111812559138068606&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111812559138068606'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111812559138068606'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/06/15-minutes-of-filth-depravity.html' title='15 Minutes of Filth &amp; Depravity'/><author><name>cadet</name><uri>http://www.blogger.com/profile/12836865545414288950</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://homepage.mac.com/johnmm/comethead.png'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111765732357655835</id><published>2005-06-01T15:33:00.000-04:00</published><updated>2005-06-01T17:11:19.036-04:00</updated><title type='text'>Liza Jane</title><content type='html'>Damn me, I had the post all typed up and hit the little red x and lost it. The gist of it was: there is this story about a girl named, Liza Jane. I knew about the Huey Smith version, then discovered there was also a Bob Wills version, then discovered there must be 100s of versions, a couple of which I had lying around. So here they are.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Pete Harris&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/peteharris.jpg" width="100" height="100"&gt;&lt;br /&gt;Black Texicans: Balladeers &amp; Songsters of the Texas Frontier (193?)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/LizaJane/PeteHarris.SquareDanceCorner.mp3" target="_blank"&gt;Square Dancer Corner&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Pete Seeger &amp; Woody Guthrie&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/americanroots.jpg" width="100" height="100"&gt;&lt;br /&gt;American Roots: A History of American Folk Music (194?)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/LizaJane/PeteSeeger.WoodyGuthrie.LizaJane.mp3" target="_blank"&gt;Liza Jane&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Bob Wills &amp; His Texas Playoys&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/bobwills.jpg" width="100" height="100"&gt;&lt;br /&gt;Collected 78s (1942)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/LizaJane/BobWills.GoodbyeLizaJane.mp3" target="_blank"&gt;Goodbye, Liza Jane&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Huey "Piano" Smith &amp; His Clowns&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/hueysmith.jpg" width="100" height="100"&gt;&lt;br /&gt;Having a Good Time (1959)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/LizaJane/HueySmith.LittleLizaJane.mp3" target="_blank"&gt;Little Liza Jane&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111765732357655835?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111765732357655835/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111765732357655835&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111765732357655835'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111765732357655835'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/06/liza-jane.html' title='Liza Jane'/><author><name>cadet</name><uri>http://www.blogger.com/profile/12836865545414288950</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://homepage.mac.com/johnmm/comethead.png'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111749393620765272</id><published>2005-05-30T15:58:00.000-04:00</published><updated>2005-05-30T19:09:08.613-04:00</updated><title type='text'>Encarnita Polo</title><content type='html'>Anyone familiar with the site knows that Cha Cha Charming is full of gems. One of them, definitely, is the &lt;a href="http://www.chachacharming.com/article.php?id=21&amp;pg=1"&gt;marvelous article&lt;/a&gt; on Spanish pop that alerted me to the existence of Encarnita Polo. She's wonderful. Recorded in the '60s and '70s, and apparently kicked off the flamenco-pop movement with her modernized cover of "Pepe Bandera" (streamable through RealPlayer &lt;a href="http://wfmu.org/playlists/shows/9376"&gt;here&lt;/a&gt;). What I have for you here, though, is "Paco Paco Paco," a single recorded in 1970. It's glittering with handclaps and melodic glee, has a giddy sing-song chorus and an awesome flamenco-inspired bridge. What, honestly, is not to love here?&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Encarnita Polo&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.elmusiquero.com/images/PoloEncarnita.jpg" width="100" height="100"&gt;&lt;br /&gt;Todas Sus Grabaciones (1963-1975)&lt;br /&gt;&lt;a href="http://s12.yousendit.com/d.aspx?id=1X5PR0STM0QQT1ZNSZY1UJFZ2U" target="_blank"&gt;Paco Paco Paco&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;&lt;/font&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;I apologize for (a) the 96 kbps bitrate, and (b) the fact that I needed to upload this through yousendit.com.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111749393620765272?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111749393620765272/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111749393620765272&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111749393620765272'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111749393620765272'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/05/encarnita-polo.html' title='Encarnita Polo'/><author><name>phia</name><uri>http://www.blogger.com/profile/07573923455435768124</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111618009587153813</id><published>2005-05-15T11:40:00.000-04:00</published><updated>2005-05-15T14:29:16.513-04:00</updated><title type='text'>Mountain Goats, Fastbacks, Agitation Free, Crime Time, Pooh Sticks</title><content type='html'>You've probably noticed that updates here have been sparse, save the consistently respectable efforts of cadet and billy ray. I've been away at school where FTP access &amp; music downloading is &lt;i&gt;forbidden&lt;/i&gt; and so I've been kind of in the dark in terms of both new music and updation of this place. I'll be back in 3 weeks and I can't promise regularity but there'll definitely be a lot more updates than you're seeing now.&lt;br /&gt;&lt;br /&gt;I was going to post a bunch of hiphop but I'm pretty useless in that department; the dudes over at &lt;a href="http://www.cocaineblunts.com"&gt;Cocaine Blunts&lt;/a&gt;, &lt;a href="http://www.abitnice.com/canibringmygat/"&gt;Can I Bring My Gat?&lt;/a&gt;, &lt;a href="http://westcoast2k.net/"&gt;WestCoast2K&lt;/a&gt;, &lt;a href="http://somanyshrimp.com/"&gt;We Eat So Many Shrimp&lt;/a&gt;, etc. can give you what you're hungry for much better than my 17-yr-old suburban ass. &amp; I'm perfectly okay with that.&lt;br /&gt;&lt;br /&gt;Here's six tracks that, straight &amp; simple, deserve to be heard.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;The Mountain Goats&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/mountaingoats.jpg" width="100" height="100"&gt;&lt;br /&gt;Nothing For Juice (1996)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/mountain goats - alabama nova.mp3" target="_blank"&gt;Alabama Nova&lt;/a&gt; &amp; &lt;a href="http://www.vslam.org/music/mountain goats - going to scotland.mp3" target="_blank"&gt;Going To Scotland&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;this entire album's gold; find it, buy it&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Fastbacks&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/fastbacks.jpg" width="100" height="100"&gt;&lt;br /&gt;New Mansions In Sound (1996)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/fastbacks - fortune's misery.mp3" target="_blank"&gt;Fortune's Misery&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;this album's fun enough for me to overlook the fact that most of the tracks are exactly the same. yeah, one of those&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Agitation Free&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/agitationfree.jpg" width="100" height="100"&gt;&lt;br /&gt;Malesch (1972)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/agitation free - rucksturz.mp3" target="_blank"&gt;Rucksturz&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;just a great closer for a wonderful &amp; classic album&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Crime Time&lt;/b&gt;&lt;br /&gt;Serenghetto EP (2003)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Crime time - 01 - We need to talk.mp3" target="_blank"&gt;We Need To Talk&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;&lt;i&gt;please&lt;/i&gt; let me know if you know anything about these guys&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Pooh Sticks&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/poohsticks.jpg" width="100" height="100"&gt;&lt;br /&gt;Million Seller (1993)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/pooh sticks - million seller - 13 - that was the greatest song.mp3"&gt;That Was The Greatest Song&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;it is imperative&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111618009587153813?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111618009587153813/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111618009587153813&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111618009587153813'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111618009587153813'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/05/mountain-goats-fastbacks-agitation.html' title='Mountain Goats, Fastbacks, Agitation Free, Crime Time, Pooh Sticks'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111508644352641802</id><published>2005-05-02T21:57:00.000-04:00</published><updated>2005-05-02T22:14:03.526-04:00</updated><title type='text'>Original Prague Syncopated Orchestra, Original Victoria Band</title><content type='html'>Both the Original Prague Syncopated Orchestra and the Orginial Victoria Band are revival bands from Europe; the Czech Republic and Holland, respectively. I didn't have a great deal of luck finding much information on the OPSO, but from the sound of a 2000 article I gather that they were still playing shows in the Czech Republic at that time. My friend Cornelius happens to have been the piano player (and occasional tap dancer) in the OVB and I know from him they disbanded in 1999 after nearly 30 years. The infatuation these foreigners have for americana is really infectious and the recording quality makes it easier to believe you are hearing live music in a 1926 dance hall.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Original Prague Syncopated Orchestra&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/OriginalPrague.jpg" width="100" height="100"&gt;&lt;br /&gt;Collected Recordings (198?)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Terror.mp3" target="_blank"&gt;Terror&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Original Victoria Band&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/OriginalVictoriaBand.jpg" width="100" height="100"&gt;&lt;br /&gt;Collected Recordings (1989)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/HappyFeet.mp3" target="_blank"&gt;Happy Feet&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111508644352641802?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111508644352641802/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111508644352641802&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111508644352641802'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111508644352641802'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/05/original-prague-syncopated-orchestra.html' title='Original Prague Syncopated Orchestra, Original Victoria Band'/><author><name>cadet</name><uri>http://www.blogger.com/profile/12836865545414288950</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://homepage.mac.com/johnmm/comethead.png'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111367513309828778</id><published>2005-04-16T14:08:00.000-04:00</published><updated>2005-04-16T14:13:59.553-04:00</updated><title type='text'>JAMES BOOKER</title><content type='html'>Long time no post. Sorry about that. Apologies if I fail completely to get this formatted right, etc. etc. I'm a bit clueless in these murky Internet waters.&lt;br /&gt;&lt;br /&gt;I have been listening to a substantial amount of piano players recently, &amp; I have completely fallen in love with James Booker. So I feel the need to post a tune by my newest obsession.&lt;br /&gt;&lt;br /&gt;The tune is off &lt;i&gt;King of the New Orleans Keyboard&lt;/i&gt;, featuring a photo on the cover that makes me smile broadly each time I see it. The tune itself, "Harlem in Hamburg" (incorrectly labelled when I found it as "Holland &amp;amp; Hamburg," due to Mr. Booker's marvelously slurred speech) makes my whole body quiver with joy. I can't express my love for this tune properly, so I will just let the tune do the talking.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;James Booker&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/king%20of%20the%20new%20orleans%20keyboard.jpg" height="100" width="100" /&gt;&lt;br /&gt;King of the New Orleans Keyboard (1976)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/james%20booker%20%5B77%5D%5Bnew%20orleans%20keyboard%20king%5D%2009%20-%20harlem%20in%20hamburg.mp3" target="_blank"&gt;"Harlem in Hamburg"&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;&lt;/span&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111367513309828778?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111367513309828778/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111367513309828778&amp;isPopup=true' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111367513309828778'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111367513309828778'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/04/james-booker.html' title='JAMES BOOKER'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111311943963706402</id><published>2005-04-10T03:49:00.000-04:00</published><updated>2005-04-10T03:50:39.640-04:00</updated><title type='text'>Bernice McClellan, Gertrude Morgan, Annette Hanshaw</title><content type='html'>I had this post written the other day and it was much better but I misplaced it. It makes a better 2a.m. sunday morning post anyways.&lt;br /&gt;&lt;br /&gt;This first track is from the long out-of-print LP, Negro Church Music, recorded and edited by Alan Lomax. Sister McClellan lays down a real healthy sounding vocal backed by dozens in the congregation with a fantastic band (especially the piano player).&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Bernice McClellan &amp; Congregation&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/Negro.Church.Music.jpg" width="100" height="100"&gt;&lt;br /&gt;Negro Church Music (1959)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/What.Do.You.Think.About.Jesus.mp3" target="_blank"&gt;What Do You Think About Jesus?&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This track by Gertrude Morgan is pure praise'n'worship; something like sermon, something like song, all power. By the time Let's Make A Record was released in 1970 (a decade after the recording was made) Sister Morgan had become well known around New Orleans as "...the eccentric figure best known for roaming the streets of the French Quarter in the 1950s and 60s and shouting invented spirituals through a megaphone..." After 1970 the record fell out of release and it wasn't until last summer that it was finally re-released (Preservation Hall Recordings).  &lt;br /&gt;&lt;b&gt;Sister Gertrude Morgan&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/Lets.Make.a.Record.jpg" width="100" height="100"&gt;&lt;br /&gt;Let's Make A Record (1960)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Power.mp3" target="_blank"&gt;Power&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This last track is so very very out of place in this post, but I could not resist the temptation to post another Annette Hanshaw track.&lt;br /&gt;&lt;b&gt;Annette Hanshaw&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/hanshaw.jpg" width="100" height="100"&gt;&lt;br /&gt;Collected Recordings (1927)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/My.Idea.of.Heaven.mp3" target="_blank"&gt;My Idea of Heaven&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111311943963706402?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111311943963706402/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111311943963706402&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111311943963706402'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111311943963706402'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/04/bernice-mcclellan-gertrude-morgan_10.html' title='Bernice McClellan, Gertrude Morgan, Annette Hanshaw'/><author><name>cadet</name><uri>http://www.blogger.com/profile/12836865545414288950</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://homepage.mac.com/johnmm/comethead.png'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111247068730248439</id><published>2005-04-02T14:15:00.000-05:00</published><updated>2005-04-03T11:47:16.810-04:00</updated><title type='text'>DJ Kool Herc</title><content type='html'>Yesterday I was going somewhere in the auto and my already shaky cassette to iPod connection decided it would be a great time to stop working. Being more than just morally opposed to FM radio I went scanning the AM dial for at least some preaching or far-right rant; this attempt was fruitless. Finally, settling on NPR and was more than just pleasantly surprised to find that irritating woman who does that irritating show&lt;a href="http://www.npr.org/templates/story/story.php?storyId=4567450" target="_blank"&gt; interviewing DJ Kool Herc&lt;/a&gt;. The moral of the story is never ever ever listen to FM radio. For those who don't know, Kool Herc is widely considered the father of (at least) the hip-hop dj and by some slightly overzealous critics the "Father of Hip-Hop." Many of you maybe wondering how did someone so influential go so unknown for so long? 1. DJ Kool Herc has never, and according to Herc himself, will never make a studio album and 2. the few bootlegs from him DJing parties are few are far between. So for your ass shaking delight:&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;DJ Kool Herc&lt;/b&gt;&lt;br /&gt;Live (197?)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Let.Me.Clear.My.Throat.mp3" target="_blank"&gt;Let Me Clear My Throat&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;As far as I can tell, this is not Kool Herc with the famed Hercilodians, but I am pretty certain that is Coke La Roc of the Hercilodians on the lyric.&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111247068730248439?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111247068730248439/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111247068730248439&amp;isPopup=true' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111247068730248439'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111247068730248439'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/04/dj-kool-herc.html' title='DJ Kool Herc'/><author><name>cadet</name><uri>http://www.blogger.com/profile/12836865545414288950</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://homepage.mac.com/johnmm/comethead.png'/></author><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111240085067026435</id><published>2005-04-01T19:06:00.000-05:00</published><updated>2005-04-01T19:14:10.670-05:00</updated><title type='text'>Billy Ocean</title><content type='html'>Everything I've read about Billy Ocean has mentioned that he was one of the first Caribbean singers to get major media attention in the US (especially MTV), which is great, but who cares? The dude's amazing. His first hit came in the mid-70's ("Love Really Hurts Without You") &amp; the 80's brought a lot of great followups, most notably the title track from &lt;i&gt;Nights (Feel Like Getting Down)&lt;/i&gt;. If his name still doesn't ring a bell then you might remember "Get Outta My Dreams, Get Into My Car" and his biggest hit, "Caribbean Queen." Anyway, this is one of my favorites of his, &amp; I think you'll agree that it's pretty fabulous, joyous, danceable stuff.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Billy Ocean&lt;/b&gt;&lt;br /&gt;City Limit (1980)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Billy Ocean - Stay The Night.mp3" target="_blank"&gt;Stay The Night&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111240085067026435?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111240085067026435/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111240085067026435&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111240085067026435'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111240085067026435'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/04/billy-ocean_111240085067026435.html' title='Billy Ocean'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111222523648683140</id><published>2005-03-30T18:23:00.000-05:00</published><updated>2005-03-31T11:57:45.940-05:00</updated><title type='text'>1926</title><content type='html'>From 1900, we jump ahead to 1926. These four tracks come from a record collector friend of mine in Holland, who for the past forty years has been collecting any old time recordings he could get a hold of (78s, 33s, tape, mp3, etc); and for about the past thirty years he has been in the painstaking process of restoring these recordings through a mix of digital and analog means (with some homemade equipment). The results are just incredible. Here is a sample of four of remarkably awesome tracks from artists who unlike Louis Armstrong, Ma Rainey, or King Oliver never managed to make their way into many (if any) of these big 1920s revival box sets you find in your local Virgin mega store.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;br /&gt;&lt;b&gt;Billy Murray &amp; Aileen Stanley&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/bill-aileen.jpg" width="100" height="100"&gt;&lt;br /&gt;Collected Recordings (1926)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Any.Ice.Today.Lady.mp3" target="_blank"&gt;Any Ice Today Lady?&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;"Billy Murray (25 May, 1877 - 17 August, 1954) was one of the most popular singers in the United States in the early decades of the 20th century. While he received star billings on Vaudeville, he was best known for his prolific work in the recording studio, making records for almost every record label of the era. He was probably the best selling recording artist of the first quarter of the 20th century."&lt;br /&gt;"Aileen Stanley (died 1982, age 89) projected a blues-influenced sensuality that was rare in white female vocalists of that era. She was one of Billy Murray's regular singing partners in the 1920's. Aileen also recorded many hits with other collaborators and as a solo artist, most notably "Sweet Indiana Home" (Victor 18992 in 1922) and "When My Sugar Walks Down the Street' (with Gene Austin on Victor 19585 in 1925)."&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Dixieland Jug Blowers&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/dixieland.jpg" width="100" height="100"&gt;&lt;br /&gt;Collected Recordings (1926)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Banjoreno.mp3" target="_blank"&gt;Banjoreno&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;"Combining the sophistication of 1920s jazz bands with the raw energy of country string bands, the Dixieland Jug Blowers were in the vanguard of the early Louisville music scene. Their repertoire covered the spectrum of turn of the century American music - blues, rags, ballads, stomps, fiddle tunes and much more - in such performances as Barefoot Stomp, Blue Guitar stomp, Everybody Wants My Tootelum, National Blues and others."&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;California Ramblers&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/california-ramblers.jpg" width="100" height="100"&gt;&lt;br /&gt;Collected Recordings (1926)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/She.Knows.Her.Onions.mp3" target="_blank"&gt;She Knows Her Onions&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;"The Ramblers adopted a slightly different playing style for the various labels they recorded for, thus enabling the record companies to have their own "sound". It wasn't until the development of electrical recording in 1925 that the true depth of the Rambler music became apparent and especially the Columbia company with its superb recording technique and smooth-surfaced records managed to capture the band in full glory. Although only one microphone was used and long before the days of dubbing, artificial reverb and stereo, the recorded sound has a tremendous perspective that even today baffles the listener. Also, these Columbia recordings were rather jazz-orientated, allowing for plenty of improvised solos and for what may already be described as "swing"."&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Annette Hanshaw&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/annette.jpg" width="100" height="100"&gt;&lt;br /&gt;Collected Recordings (1926)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Six.Feet.of.Papa.mp3" target="_blank"&gt;Six Feet of Papa&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;"Annette Hanshaw was a popular singer and radio star of the 1920s and early Thirties who had many Jazz overtones in her singing style. She stepped out of her role of a torch singer and improvised and had a great deal of swing that harkened to the Big Band singers of the 1930s. She was viewed by the public as the epitome of a flapper."&lt;/font&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;For more information the reader is strongly urged to go check out:&lt;a href="http://www.redhotjazz.com/" target="_blank"&gt; The Red Hot Jazz Archive&lt;/a&gt; they have more information than most people probably need, and tons of tracks in streamable Real Audio format.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111222523648683140?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111222523648683140/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111222523648683140&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111222523648683140'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111222523648683140'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/1926.html' title='1926'/><author><name>cadet</name><uri>http://www.blogger.com/profile/12836865545414288950</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://homepage.mac.com/johnmm/comethead.png'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111177415096978577</id><published>2005-03-25T12:20:00.000-05:00</published><updated>2005-03-25T13:10:02.510-05:00</updated><title type='text'>Martin Denny</title><content type='html'>This might be old news to some of you, but Martin Denny died early this month. Even though Les Baxter is considered the originator of that kind of exotica style by most people, Martin Denny was the guy who added all the kitschy sound effects and jazzed it up. This isn't exactly depressing news - he went at the ripe old age of 93. Anyway, these are my two favorite tracks from the &lt;i&gt;Exotic Moog&lt;/i&gt; album, which is definitely one of his best. Lots of fun &amp; not as grating as some moog.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;b&gt;Martin Denny&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/martindenny.gif" height="100" width="100"&gt;&lt;br /&gt;Exotic Moog (1969)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/05 - Delilah.mp3" target="blank"&gt;Delilah&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.vslam.org/music/02 - I Talk To The Trees.mp3" target="blank"&gt;I Talk To The Trees&lt;/a&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111177415096978577?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111177415096978577/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111177415096978577&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111177415096978577'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111177415096978577'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/martin-denny.html' title='Martin Denny'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111169905282274498</id><published>2005-03-24T15:23:00.000-05:00</published><updated>2005-03-24T16:17:32.826-05:00</updated><title type='text'>1900</title><content type='html'>Oh, oh, oh, I can barely type I'm so excited. I just got this collection of recordings from 1900, really 1900, not the 1900s but 1900! I am tingly. Enough typing, here are the songs.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;b&gt;Columbia Quartet&lt;/b&gt;&lt;br /&gt;&lt;a href="http://www.vslam.org/music/campmeetingjubilee.mp3" target="_blank"&gt;Camp Meeting Jubilee&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;"The name Columbia Quartet was not used for early Columbia discs known as Climax discs. Instead, the Climax Quartet sang on early discs. After the record company switched from its early Climax disc label to the Columbia label, the name Columbia Quartet was cited in spoken announcements. As late as 1908 or so Columbia used the generic "vocal quartette" on labels for performances that had been cut years earlier and remained in the catalog, but by 1906 for new performances the company sometimes put Columbia Quartette on discs."&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Edna May&lt;/b&gt;&lt;br /&gt;&lt;a href="http://www.vslam.org/music/puritybrigade.mp3" target="_blank"&gt;Purity Brigade&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;"Few people today have heard of Edna May but 100 years ago she was the toast of London and New York. Millionaires sought her hand in marriage, train loads of admirers would follow her where ever she went, she commanded some of the highest fees of her day, and her exploits were reported on both sides of the Atlantic....Edna May first took to the stage at the age of 5, when she played Little Willie Allen in a production of "Dora". By the age of 7 she had joined a children's opera company and performed Gilbert &amp; Sullivan productions in Syracuse." &lt;i&gt;This is so much what I imagine when I think of what music was like in 1900.&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Dan W. Quinn&lt;/b&gt;&lt;br /&gt;&lt;a href="http://www.vslam.org/music/vaudevillespecialty.mp3" target="_blank"&gt;Vaudeville Specialty&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;"The singer was born in San Francisco, perhaps in 1859 since Jim Walsh reports in the December 1961 issue of Hobbies that Quinn was 79 years old when he died. Posing with other Edison artists of 1900, Quinn appears to be around 40 years old in a photograph that is reprinted in the January 1971 issue of Hobbies. He was occasionally identified as a baritone but most often as a tenor. Quinn was a boy soprano in an Episcopal choir and was evidently a vaudeville performer when he was a young man. His photograph is on the cover of sheet music of the 1890s."&lt;/font&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111169905282274498?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111169905282274498/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111169905282274498&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111169905282274498'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111169905282274498'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/1900.html' title='1900'/><author><name>cadet</name><uri>http://www.blogger.com/profile/12836865545414288950</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://homepage.mac.com/johnmm/comethead.png'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111168727487465502</id><published>2005-03-24T12:39:00.000-05:00</published><updated>2005-03-24T13:01:28.126-05:00</updated><title type='text'>Elizabeth Cotten</title><content type='html'>Can't really say much about this one. It's pulled from Elizabeth Cotten's 1958 lp &lt;i&gt;Negro Folk Songs and Tunes&lt;/i&gt; later retitled as &lt;i&gt;Freight Train and Other North Carolina Folk Songs and Tunes&lt;/i&gt; on Folkways, and it's one of the most beautiful songs I've ever heard. It's been especially good to me today &amp; I've been whistling it all over the place for a while, so I thought I'd share it here.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;b&gt;Elizabeth Cotten&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/sf40009.jpg" height="100" width="100"&gt;&lt;br /&gt;Negro Folk Songs and Tunes (1958)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/12. oh babe it aint no lie.mp3"&gt;Oh Babe It Ain't No Lie&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Also, for posters:&lt;/i&gt; if a song file is larger than 5 MB then please consider converting it to a lower bit rate but not lower than 128kbps. Nothing here should be higher than 192kbps. If you break this rule, no big deal; I'll fix it up for you.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111168727487465502?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111168727487465502/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111168727487465502&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111168727487465502'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111168727487465502'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/elizabeth-cotten.html' title='Elizabeth Cotten'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111162298298667716</id><published>2005-03-23T16:11:00.000-05:00</published><updated>2005-03-24T01:24:01.856-05:00</updated><title type='text'>Tin Huey</title><content type='html'>hey, I'm Sophia, recent Vslam recruit. Though my main blog's &lt;a href="http://soundkeeper.blogspot.com/"&gt;The Soundkeeper&lt;/a&gt;, you'll likely be catching occasional updates from me here as well. Anyway, &lt;i&gt;on to ze music...&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.tinhuey.com"&gt;Tin Huey&lt;/a&gt; formed in the early '70s in Akron, Ohio -- a scene that also birthed bands like Devo and the Rubber City Rebels. They're really cute -- geekish lyrics, huge melodies, gleefully messy, and obviously enjoying themselves a lot when they play. The enthusiasm of Robert Chistgau and a locally-popular cover of "I'm a Believer" got the band signed to Warner Brothers, where they released &lt;a href="http://www.ccmusic.com/item.cfm?itemid=CCM03422"&gt;Contents Dislodged During Shipment&lt;/a&gt; in 1979. Despite being a pretty fun slab of offbeat new-wave pop, the record sold disappointingly and the band was dropped from Warner Brothers, leading to its subsequent break-up. (Reunited in 1999, though, to record &lt;i&gt;Disinformation&lt;/i&gt;.)&lt;br /&gt;&lt;br /&gt;Since I revel in all of those interesting band-connections... Chris Butler went on to form the Waitresses, record a handful of solo albums, and write "The Devil's Glitch," which, according to the Guinness Book of Records, is the longest recorded pop song (and was nominated for a Grammy in 1997). Stuart Austin worked on-and-off with Todd Rundgren. Ralph Carney played with the B-52s, Oranj Symphonette, Big Noise, and the Swollen Monkeys, as well as recording several solo albums.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;b&gt;Tin Huey&lt;/b&gt;&lt;br /&gt;&lt;img src="http://vslam.org/images/tinhuey.jpg" width="100" height="100"&gt;&lt;br /&gt;Contents Dislodged During Shipment (1979)&lt;br&gt;&lt;a href="http://vslam.org/music/02%20The%20Revelations%20Of%20Dr.%20Modesto.mp3" target="_blank"&gt;The Revelations of Dr. Modesto&lt;/a&gt;&lt;br&gt;&lt;a href="&lt;http://vslam.org/music/02%20The%20Revelations%20Of%20Dr.%20Modesto.mp3&gt;" target="_blank"&gt;Hump Day&lt;/a&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111162298298667716?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111162298298667716/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111162298298667716&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111162298298667716'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111162298298667716'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/tin-huey.html' title='Tin Huey'/><author><name>phia</name><uri>http://www.blogger.com/profile/07573923455435768124</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111156595138462884</id><published>2005-03-23T01:20:00.000-05:00</published><updated>2005-03-23T21:13:09.220-05:00</updated><title type='text'>Centro-matic, Will Johnson, South San Gabriel, Varnaline, Slobberbone, Okkervil River, Peter Schmidt</title><content type='html'>will is the brains (&amp; brawn) behind the legendary &lt;a href="http://www.centro-matic.com/" target="_blank"&gt;Centro-matic&lt;/a&gt;, the slightly less legendary (but no less great) &lt;a href="http://www.south-san-gabriel.com/" target="_blank"&gt;South San Gabriel&lt;/a&gt;; an open band usually consisting of at least will &amp;amp; scott danbom (the heavenly fiddle/cello/keyboard player) with notables like anders parker (&lt;a href="http://www.varnaline.com/" target="_blank"&gt;Varnaline&lt;/a&gt;), brent best (&lt;a href="http://www.slobberbone.com/" target="_blank"&gt;Slobberbone&lt;/a&gt;), howard draper (&lt;a href="http://www.okkervilriver.com/" target="_blank"&gt;Okkervil River&lt;/a&gt;), and so forth sitting in, and a few &lt;a href="http://www.will-johnson-music.com/" target="_blank"&gt;solo&lt;/a&gt; albums. oh and he was the drummer for the pretty well unknown funland band, prior to all this, with local good guy peter schmidt (genius behind the Legendary Crystal Chandelier) and clark something or other from the Toadies.&lt;br /&gt;following in a long tradition of super-prolific texas songwriters, will has released 15 albums since 1997's release of redo the stacks, plus half a dozen 7 inches and tapes and a few singles turning up here and there on compilations. even more amazing than his seemingly non stop songwriting is the fact that every song is great. some are so great that you swear you've heard it before. it was maybe the most difficult thing i did all day to narrow it down to these three tracks. (guess i wasn't really in a rock out sort of mood, these are all pretty down-tempo.)&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;b&gt;Centro-matic&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/Centromatic-Static.jpg" width="100" height="100"&gt;&lt;br /&gt;The Static vs. The Strings Vol. 1 (1999)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/centromatic-saysomething.mp3" target="_blank"&gt;Say Something / 95 Frowns&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;one of my favorites from an album i always forget about (its actually a collection of home recordings and leftover songs, not an album)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Will Johnson&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/WillJohnson-Murder.jpg" width="100" height="100"&gt;&lt;br /&gt;Murder of Tides (2002)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/WillJohnson-Re-RunPills.mp3" target="_blank"&gt;Re-Run Pills&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;listen closely and you can hear the cicadas in the background (god i love that)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;South San Gabriel&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/SSG-Carlton.jpg" width="100" height="100"&gt;&lt;br /&gt;The Carlton Chronicles: Not Until the Operation's Through (2005)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/SSG-IFeelTooYoungToDie.mp3" target="_blank"&gt;I Feel Too Young to Die&lt;/a&gt;&lt;br /&gt;&lt;font size="1"&gt;i just got this album, and this song struck me from the first listen&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;font size="2"&gt;other tracks from:&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Varnaline&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/varnaline.jpg" width="100" height="100" border="1"&gt;&lt;br /&gt;Songs in a Nothern Key (2001)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Varnaline-StillDream.mp3" target="_blank"&gt;Still Dream&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Slobberbone&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/slobberbone.jpg" width="100" height="100" border="1"&gt;&lt;br /&gt;Everything You Thought Was Right Was Wrong Today (2000)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/Slobberbone-TrustJesus.mp3" target="_blank"&gt;Trust Jesus&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Okkervil River&lt;/b&gt;&lt;br /&gt;&lt;img src="http://www.vslam.org/images/okkervilriver.jpg" width="100" height="100"&gt;&lt;br /&gt;Black Sheep Boy (2005)&lt;br /&gt;&lt;a href="http://www.vslam.org/music/OkkervilRiver-BlackSheepBoy.mp3" target="_blank"&gt;Black Sheep Boy&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Various Artists&lt;/b&gt;&lt;font size="1"&gt;&lt;br /&gt;[sorry no artwork available]&lt;br /&gt;&lt;/font&gt;Observer: Scene, Heard Volume 3&lt;br /&gt;&lt;a href="http://www.vslam.org/music/PeterSchmidt-AlltheUmbrellasinLondon.mp3" target="_blank"&gt;Peter Schmidt - All The Umbrellas In London&lt;/a&gt;&lt;br /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111156595138462884?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111156595138462884/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111156595138462884&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111156595138462884'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111156595138462884'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/centro-matic-will-johnson-south-san.html' title='Centro-matic, Will Johnson, South San Gabriel, Varnaline, Slobberbone, Okkervil River, Peter Schmidt'/><author><name>cadet</name><uri>http://www.blogger.com/profile/12836865545414288950</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://homepage.mac.com/johnmm/comethead.png'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111133482546681257</id><published>2005-03-20T10:30:00.000-05:00</published><updated>2005-03-20T12:08:17.583-05:00</updated><title type='text'>*</title><content type='html'>Hi! I'm back, and I've decided to invest in some hosting.&lt;br /&gt;&lt;br /&gt;We now have 120GB bandwidth, which I assume is monthly. This means that I'll probably take songs down after 2 weeks and that unless we have a ridiculous surge in popularity, this should be sufficient.&lt;br /&gt;&lt;br /&gt;We'll stick with Blogspot and I'll use domain forwarding unless someone's got a better idea. What would be nice, though, is if someone (maybe you, &lt;b&gt;homosaur&lt;/b&gt;; I've heard good things) would be willing to help with a unique layout; this look is really getting to me.&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Changes:&lt;/u&gt;&lt;br /&gt;- new address will be: &lt;b&gt;www.vslam.org&lt;/b&gt;&lt;br /&gt;- to contact any of the members, try: &lt;b&gt;administration@vslam.org&lt;/b&gt;&lt;br /&gt;- hosting will be: in &lt;b&gt;mp3 form&lt;/b&gt;, meaning none of this YSI bullshit&lt;br /&gt;- posting format wil be: more strictly regulated; we (all the posters) should decide on the best method&lt;br /&gt;&lt;br /&gt;I'm pretty happy about this; once we've got a more "professional" look and feel, things should get better around here in a multitude of ways. If you've got any suggestions at all, &lt;i&gt;please&lt;/i&gt; comment now before everything's solidified.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111133482546681257?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111133482546681257/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111133482546681257&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111133482546681257'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111133482546681257'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/blog-post.html' title='*'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111125520249878481</id><published>2005-03-19T12:47:00.000-05:00</published><updated>2005-03-19T13:01:22.010-05:00</updated><title type='text'>Bobby Bare</title><content type='html'>Ain't been a song up in a while. Zach's been gone, &amp; we've been slacking. For shame.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Artist&lt;/b&gt;: Bobby Bare&lt;br /&gt;&lt;b&gt;Song&lt;/b&gt;: "The Son of Hickory Holler's Tramp"&lt;br /&gt;&lt;b&gt;Writer&lt;/b&gt;: Dallas Frazier&lt;br /&gt;&lt;br /&gt;If Willie Nelson &amp;amp; Tom T. Hall wrote every country song ever, Bobby Bare sang them all.&lt;br /&gt;&lt;br /&gt;Bare had a rough go of it as a kid. When his ma died, he ended up having to fend for himself a lot, &amp; by the time he was fifteen, he was out on his own. Shortly thereafter, he had built his first guitar &amp;amp; began playing music.  After a stint in the army, he ended up roommates with Willie Nelson &amp; tried his hand at singing professionally.  He became a hit in the country world, mixing in a bit of pop &amp; folk into his act (in some ways like the Statler Brothers did, but without all the pretty harmonies).&lt;br /&gt;&lt;br /&gt;This particular song is off his 1969 album &lt;i&gt;Lincoln Park Inn&lt;/i&gt;, a fine piece of work of country music, to be sure. It was written by Dallas Frazier, another one of those country singers who wrote a mountain of amazing country songs that other people had hits with.  However, Frazier eventually left the song-writing &amp;amp; country-singing business for to be a minister.&lt;br /&gt;&lt;br /&gt;This particular song is one of those country songs about a hooker with a golden heart, one of my particular favorite themes. Always a little bit sappy right along side being a little bit biting--a dash of heartwarmin' along with their controversy. It's right up my alley. Hope ya like it!&lt;br /&gt;&lt;br /&gt;&lt;a href=http://s12.yousendit.com/d.aspx?id=355JMULFJEU8J2ROKWRHQHAC3Q&gt;Download it&lt;/a&gt;!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111125520249878481?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111125520249878481/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111125520249878481&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111125520249878481'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111125520249878481'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/bobby-bare.html' title='Bobby Bare'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111077025460805863</id><published>2005-03-13T22:02:00.000-05:00</published><updated>2005-03-13T22:48:26.606-05:00</updated><title type='text'>Autechre</title><content type='html'>From the upcoming album, &lt;i&gt;Untilted&lt;/i&gt;, this is the first great Autechre song in quite a while. I haven't listened to the new album extensively enough to state my opinion of it, nor would I judge an album that no one knows for certain is the final mix or not, but I can assure you it's already better than the busy yet dull &lt;i&gt;Draft 7.30&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;Autechre seems to have new gear and heading back into more of a minimal techno territory than their recent glitchy works. "LCC" is the first track off the record and a pretty good indicator of what the rest of it sounds like.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s9.yousendit.com/d.aspx?id=16PUDSSVXPRR319EBIIFJZF1TZ"&gt;Autechre - "LCC"&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111077025460805863?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111077025460805863/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111077025460805863&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111077025460805863'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111077025460805863'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/autechre.html' title='Autechre'/><author><name>homosaur</name><uri>http://www.blogger.com/profile/06516000350340680006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111076581902087443</id><published>2005-03-13T20:54:00.000-05:00</published><updated>2005-03-13T21:04:01.083-05:00</updated><title type='text'>Tom T. Hall</title><content type='html'>&lt;b&gt;Artist&lt;/b&gt;: Tom T. Hall&lt;br /&gt;&lt;b&gt;Song&lt;/b&gt;: "I Hope It Rains at My Funeral"&lt;br /&gt;&lt;b&gt;Writer&lt;/b&gt;: Tom T. Hall&lt;br /&gt;&lt;br /&gt;The daunting Mr. Charlie &amp; I agree that this is damned fine song. Tom T. Hall has that sing/speak thing going for him, which he does oh so well, &amp;amp; he's a cynical old man, deep down. This song &amp; "Ballad of Forty Dollars" are two of the finest works of country cynicism ever written.&lt;br /&gt;&lt;br /&gt;I think Charlie wants this played at his funeral.  I can't say as I blame him. Personally, I don't intend to die, but I can see how if I did, I'd want this played.&lt;br /&gt;&lt;br /&gt;Fact of the day: Tom T. Hall &amp;amp; Willie Nelson wrote every country song ever written.&lt;br /&gt;&lt;br /&gt;Yeah, so I've got nothing else to add.&lt;br /&gt;&lt;br /&gt;&lt;a href=http://s28.yousendit.com/d.aspx?id=2989MYOTQBKW91V0TBDUGLXY9Y&gt;Download it&lt;/a&gt;!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111076581902087443?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111076581902087443/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111076581902087443&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111076581902087443'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111076581902087443'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/tom-t-hall.html' title='Tom T. Hall'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111074053379170850</id><published>2005-03-13T13:21:00.000-05:00</published><updated>2005-03-13T20:19:30.816-05:00</updated><title type='text'>Boys, Paris, Polyphonic Size, Saicos, Plagal Grind, Alastair Galbraith, Candy</title><content type='html'>&lt;b&gt;&lt;u&gt;SONG 1&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;I don't think my Japanese roommate notices the blatantly racist undertones of this song, and that's probably a good thing, because I play this shit all the time. The Boys rock, hard; I'd count them among my favorite punk bands. They were essentially England's answer to the Undertones, who I like but who don't really have the same energy. This particular track's from the &lt;i&gt;Punk Rock Rarities&lt;/i&gt; compilation of their unreleased / deleted songs. I'm not exactly sure when "Jap Junk" was recorded, but probably somewhere between '77 and '82.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://www.taang.com/boyspunkrockcd.jpg" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s33.yousendit.com/d.aspx?id=175BO0PR15R343KVY008KFDZ4C" target="new"&gt;Boys - Jap Junk&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 2&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;The next one: early 90's hiphop from the SF bay area, idiosyncratic and well produced. Dj Mad and Paris both have a thing for a steadily building, hectic rhythm and complement each other very well. The lyrics aren't really afrocentric as much as black panther-ish. Comparisons to Ice Cube, etc. I was originally going to post something from his 1992 &lt;i&gt;The Devil Made Me Do It&lt;/i&gt;, but I got sidetracked. The liner notes for that album include short biographies of Huey Newton, Robert Seal, Malcolm X, Marcus Garvey, among others. Instead, here's the track that introduced me to Paris, the title track from 1994's &lt;i&gt;Sleeping With The Enemy&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://www.guerrillafunk.com/images/paris/covers/sleepingcoverdeluxe.jpg" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s25.yousendit.com/d.aspx?id=0KAM2V79HB0Q43078FU7L6EPDC" target="new"&gt;Paris - Sleeping With The Enemy&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 3&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;I really love the Polyphonic Size, the Belgian synthpop band. Their 1982 debut &lt;i&gt;Live For Each Moment&lt;/i&gt; is wonderful but I'm not a huge fan of some of their subsequent releases, although they all have a few good tracks. This is from their 1988 &lt;I&gt;The Overnight Day&lt;/i&gt; but I culled it from a decent best of collection called &lt;i&gt;The Prime Story.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://polyphonicsize.free.fr/images/disco/overnight.jpg" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s25.yousendit.com/d.aspx?id=0GZS8WRR664AS3EVUS1C1I2H9Y" target="new"&gt;Polyphonic Size - Tell Me&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 4&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;This is one of the sweeter tracks by the punky garage band Los Saicos, taken from &lt;i&gt;Wild Teen-Punk From Peru 1965&lt;/i&gt;, which I think is a collection of their 5 singles &amp; 5 b tracks. I don't know much about these guys other than some Swell Maps / possible Los Shains connections, but this sure is a fun album.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://wing.zero.ad.jp/orb/k-disc/sou-saicos.jpg" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s36.yousendit.com/d.aspx?id=1RDXH0JO6HXPV27HQ1IPUZ3W8O" target="new"&gt;Los Saicos - (Track 4)&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;U&gt;SONGS 5 &amp; 6&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;Alastair Galbraith is a prominent New Zealand experimental rock dude, coming around in the mid-80's to play with Plagal Grind and The Rip, the former being essentially a vehicle for his songwriting. The first track is from Plagal Grind's only release, a brilliant, grungey, dirty (but still oddly catchy) EP on Xpressway in 1989. The second's from one Alastair's solo efforts, the 1993 Morse LP on Siltbreeze.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;a href="http://s36.yousendit.com/d.aspx?id=3NH9XK6NG2TIZ0ROLEUS2NVJ06" target="new"&gt;Plagal Grind - Receivership&lt;/a&gt;&lt;br /&gt;&lt;img src="http://www.emperorjones.com/galbraithminis/morse.jpg" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s25.yousendit.com/d.aspx?id=2AIC5GPT8YKR53EA46WDLT8N5Z" target="new"&gt;Alastair Galbraith - RDS&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;&lt;b&gt;SONG 7&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;Finishing up with Candy's fucking excellent song Electric Nights that I was reminded of recently. Know next to nothing about these guys, either, except that they were from LA, played awesome power pop, and Gilby Clarke was in the band. Their &lt;I&gt;Whatever Happened To Fun&lt;/i&gt; 1985 album is intensely great; I think there's a compilation out now, too.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://www.bekkoame.ne.jp/~fiore/candy.jpg" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s36.yousendit.com/d.aspx?id=3EJ6MW81133AQ29FKD2NQEKCIR" target="new"&gt;Candy - Electric Nights&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;U&gt;BYE&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;I'm heading out of town tomorrow until the next Friday so there probably won't be as many updates, but I'm sure these guys will satiate you. I'll be back then, &amp; get excited cause I'll be posting from Laquan's &lt;i&gt;Notes Of A Native Son&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;And: Momus just wrote an interesting and creepily prophetic Livejournal entry about Michael Jackson; &lt;a href="http://www.livejournal.com/users/imomus/91662.html"&gt;read it&lt;/a&gt; if you love the man half as much as I do.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111074053379170850?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111074053379170850/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111074053379170850&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111074053379170850'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111074053379170850'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/boys-paris-polyphonic-size-saicos.html' title='Boys, Paris, Polyphonic Size, Saicos, Plagal Grind, Alastair Galbraith, Candy'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111071031046213960</id><published>2005-03-13T05:30:00.000-05:00</published><updated>2005-03-13T05:38:30.463-05:00</updated><title type='text'>Spacemen 3</title><content type='html'>It's a rocked up re-recording of "Walking with Jesus" from &lt;i&gt;Perfect Prescription&lt;/i&gt;. It's on &lt;i&gt;Taking Drugs to Make Music to Take Drugs To&lt;/i&gt;. I took too many drugs to say much else.&lt;br /&gt;&lt;br /&gt;This is a good song.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s27.yousendit.com/d.aspx?id=2MWOIOJ3UQ0LP23UMBW4QAFL5B"&gt;Spacemen 3 - "Sound of Confusion"&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111071031046213960?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111071031046213960/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111071031046213960&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111071031046213960'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111071031046213960'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/spacemen-3.html' title='Spacemen 3'/><author><name>homosaur</name><uri>http://www.blogger.com/profile/06516000350340680006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111068637382121512</id><published>2005-03-12T22:22:00.000-05:00</published><updated>2005-03-12T23:23:00.373-05:00</updated><title type='text'>Terminals, Kak</title><content type='html'>&lt;b&gt;&lt;u&gt;SONG 1&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;If you've been following along and know a lot of the records I've been posting from, you've probably noticed that I've got a tendency to post the most radio-friendly track I can find on the album. And I'm okay with that. Well, this time I didn't, although I came close. The Terminals were a great late-80's early-90's "punk" band hailing from New Zealand - punk being in quotes because, as you'll be able to tell from the mp3, they were more of a dark rock band than anything. Supposedly their live shows were intense, although the live album I have of theirs doesn't really reflect that. The guitarist used to be in The Clean, and several other members came from Scorched Earth Policy and Victor Dimisich Band.  Don't mind the melodrama; they definitely have fun-capacity and know how to rock out, but not like The Enemy or Snapper or anything. Plenty of tracks full of great guitar hooks and a solid beat, that sort of thing. Anyway, this is the title track from their 1990 LP &lt;i&gt;Uncoffined&lt;/i&gt;. If you'd like to hear more, there's an excellent compilation called &lt;i&gt;Cul-De-Sac&lt;/i&gt;that I'd recommend but it definitely focuses on their lighter side. I couldn't find album art so pretend this is it.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://www.schoolsalad.com/The%20Salad%20web/images/clown.jpg" height="263" width="186"&gt;&lt;br /&gt;&lt;a href="http://s30.yousendit.com/d.aspx?id=1VVQAFSRGFHPV0QCKMGMZUW0I7" target="new"&gt;Terminals - Uncoffined&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 2&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;I made a reference to Kak in the Pax entry below. They're one of my favorite psych bands ever, all for their one and only 1968 LP. Eventually Kak-Ola was released, a reissue with several bonus tracks. The song I'm posting isn't wonderfully representative as most of the album is harder - and proggier at times - without ever going overboard, even with names like "Trieulogy: Golgotha, Mirage, Rain." This one's relaxed, smoothed out and pretty, but still tight. It's also the longest thing I've ever posted here and probably ever will post here at 5:55.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://services.windowsmedia.com/cover/200/dre000/e030/e030458ylzs.jpg" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s25.yousendit.com/d.aspx?id=1FQY7IFACJ2VY1X8ARGDTMYRHV" target="new"&gt;Kak - Lemonaide Kid&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;NOT A SONG&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Also: my girlfriend just told me about &lt;a href="http://news.nationalgeographic.com/news/2005/03/0308_050308_rhythm.html"&gt;this&lt;/a&gt;, which is nuts but believably so.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111068637382121512?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111068637382121512/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111068637382121512&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111068637382121512'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111068637382121512'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/terminals-kak.html' title='Terminals, Kak'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111065591625718477</id><published>2005-03-12T14:23:00.000-05:00</published><updated>2005-03-12T22:47:10.600-05:00</updated><title type='text'>Artimus Pyle</title><content type='html'>&lt;span style="font-family: times new roman;"&gt;I'm suddenly in a mood to hear ugly things.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Artist&lt;/b&gt;: Artimus Pyle&lt;/span&gt;&lt;br /&gt; &lt;span style="font-family: times new roman;"&gt;&lt;b&gt;Song&lt;/b&gt;: "Rape the Beast"&lt;br /&gt;&lt;br /&gt;I know nothing about this band except that they're awesome live. Saw them last year sometime with the inestimable Scott at the Dixie. I don't even know who wrote the song, nor the names of the band members. They are, however, named after the wild man of Lynyrd Skynyrd, but I'll forgive them. They certainly looked like wild Southerners, with their big ass beards &amp;amp; long hair.&lt;br /&gt;&lt;br /&gt;It's nice, ugly thrash metal. Something to complement all the sweet stuff I will likely be putting up.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s13.yousendit.com/d.aspx?id=097B99T0Z918H2549PQ8H2LFU5" target="new"&gt;Download it&lt;/a&gt;!&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111065591625718477?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111065591625718477/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111065591625718477&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111065591625718477'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111065591625718477'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/artimus-pyle.html' title='Artimus Pyle'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111051133095976405</id><published>2005-03-10T21:46:00.001-05:00</published><updated>2005-03-10T22:37:26.443-05:00</updated><title type='text'>Pax, Pierre Bensusan</title><content type='html'>&lt;b&gt;&lt;u&gt;SONG 1&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;&lt;center&gt;&lt;a href="http://www.geocities.com/justwhatdoyoumeanbyantichrist/Pax.jpg"&gt;ALBUM COVER&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;Oh, &lt;i&gt;holy shit&lt;/i&gt;. This is my dream record, kind of. As good at what they do as Kak, without the bonus pretentiousness &amp; a little more Sabbath/Dust-y. There's even fucking &lt;i&gt;cowbell&lt;/i&gt;, and you have to admit you love cowbell.&lt;br /&gt;Purportedly one of Peru's first hard rock bands, &lt;i&gt;May God And Your Will Land Your Love Miles Away From Evil&lt;/i&gt; was recorded in 1970 by the same guy who brought us Los Shains. The last track is totally bizarre but doesn't come off as Lothar-y. I am not posting that track. Precise, stoned and solid guitar psych. &lt;b&gt;ENJOY IT.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://www.metalheart.se/imgs/rws/pax-maygod.jpg"&gt;&lt;br /&gt;&lt;a href="http://s3.yousendit.com/d.aspx?id=3FKLZATR0UJV03NFUSYSLXS8U4" target="new"&gt;Pax - Pig Pen Boogie&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 2&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;This Pierre Bensusan, although wanky (but not as wanky as most virtuoso types) is a totally ridiculous Algerian guitarist. This is from his 2000 album &lt;i&gt;Intuite&lt;/i&gt;, and it is very very pretty.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://www.pierrebensusan.com/art/cd/INTUITE200.jpg" width="100" height="100"&gt;&lt;br /&gt;&lt;a href="http://s3.yousendit.com/d.aspx?id=2QBZEKMRF27GG099FMFFDC316H" target="new"&gt;Pierre Bensusan - So Long Michael&lt;/a&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111051133095976405?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111051133095976405/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111051133095976405&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111051133095976405'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111051133095976405'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/pax-pierre-bensusan_10.html' title='Pax, Pierre Bensusan'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111048266451484634</id><published>2005-03-10T14:22:00.000-05:00</published><updated>2005-03-12T22:47:43.520-05:00</updated><title type='text'>The Statler Brothers</title><content type='html'>Just a heads up: I'm probably gonna end up putting up a lot of country on this thing.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Artist&lt;/b&gt;: The Statler Brothers&lt;br /&gt;&lt;b&gt;Song&lt;/b&gt;: "Do You Know You Are My Sunshine?"&lt;br /&gt;&lt;b&gt;Writer&lt;/b&gt;: Don &amp; Harold Reid&lt;br /&gt;&lt;br /&gt;This might well be my favorite song. It's sweet, pretty, &amp;amp; energetic. The only part I think is kinda off is the end, when they drag out "sunshine," but I can get past that. Also, the intro makes my ears tingle.&lt;br /&gt;&lt;br /&gt;The song title/chorus is a pun, sorta. The original "You Are My Sunshine" was written by Louisiana governor Jimmie Davis, who also sang his resignation speech. If I should ever find a copy of that speech, I promise, I will post it here. Also, I wish I had "You Are My Sunshine" to offer you, but I can't seem to find a copy of that, either. Oh well, perhaps later.&lt;br /&gt;&lt;br /&gt;The Statler Brothers, incidentally, are a recently retired group of country boys who won more awards for their music than just about any other in country music (that might be dated information, though). They've got that whole harmony thing going for them, &amp;amp; Harold Reid's deep, deep voice is one of the finest things known to man.&lt;br /&gt;&lt;br /&gt;Anyway, &lt;a href="http://s36.yousendit.com/d.aspx?id=1E2TCH1YRQC7Z3NAN77QQWH4W0" target="new"&gt;Download it&lt;/a&gt;!&lt;br /&gt;&lt;br /&gt;PS Let me know if that link fails. I think I might have messed up copying it.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111048266451484634?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111048266451484634/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111048266451484634&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111048266451484634'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111048266451484634'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/statler-brothers.html' title='The Statler Brothers'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111047527577530240</id><published>2005-03-10T10:40:00.002-05:00</published><updated>2005-03-10T22:39:20.606-05:00</updated><title type='text'>Jacobites, Roosevelt Graves, MSHB, Washington Phillips</title><content type='html'>&lt;b&gt;&lt;u&gt;SONG 1&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;You probably know / know of the Swell Maps, 70's English "post-punk" experimental rockout stuff. I'm pretty indifferent toward them, but so many good things came out of the band that they're hard to ignore. The bassist, Jowe Head, put out some (dud) solo stuff and played with the Television Personalities, Epic Soundtracks (yes, that's a person) joined Crime &amp; The City Solution, and Nikki Sudden - the lead vocalist and guitarist - went on to form the Jacobites &amp; play with people like Rowland S Howard. The Jacobites made (give or take) ten albums between '84 and '98 and with the exception of the last one, the ones I've heard have been real good. This track comes from their sophomore release &lt;i&gt;Robbespierre's Velvet Basement&lt;/i&gt;; if you're discouraged by the feeling of affectation in this track, I'd recommend their &lt;i&gt;Ragged School&lt;/i&gt; album instead.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://www.nikkisudden.com/bigstore/albums/pics/robespierres.jpg" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s24.yousendit.com/d.aspx?id=35DYBSJ1SCIIP2QAFH9A17S8WO" target="new"&gt;Jacobites - Son Of A French Nobleman&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 2&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;The &lt;a href="http://www.amazon.com/exec/obidos/tg/detail/-/B0000DBOCB/104-1700858-8281558?v=glance"&gt;&lt;i&gt;Goodbye, Babylon&lt;/i&gt; box set&lt;/a&gt; is the most lovingly constructed, glorious collections I've seen, including Alan Lomax's and Harry Smith's compilations. Six discs of amazing Lord-related material from the early-mid 20th century.  One of the few people I knew before getting the set was (Blind) Roosevelt Graves, so I was pretty pleased to find one of his best recordings on the first disc. Buy this box set; you won't regret it.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://img.epinions.com/images/opti/9a/1c/511728-music-resized200.jpg" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s25.yousendit.com/d.aspx?id=3R1D8TNNQO49J2B0UU2L9XS3EH" target="new"&gt;Roosevelt Graves &amp; Brother - Woke Up This Morning (With My Mind On Jesus)&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONGS 3 &amp; 4 &amp; 5&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;&lt;i&gt;"In order to clearly discern good intentions, there is a necessity to transmit an accurate knowledge."&lt;/i&gt;&lt;br /&gt;Maher Shalal Hash Baz are one of my favorite bands. Their releases aren't at all consistent but they've covered enough wonder-ground for me to embrace them as a favorite; I've listened to their records more than anything else in the last year and they instill a feeling of peace, beauty and complacency that no other non-classical music gives me. MSHB is led by Tori Kudo, with a backing band including his wife Reiko. Reiko's had some fairly nice solo albums but I'm not sure about her presence in other bands. Tori Kudo, on the other hand, has been all over the fucking place since the late 70's. Examples: Guys 'n' Dolls, Sweet Inspirations, Taco, A-Musik, Che-Shizu, Noise, Cock C'Nell, and some appearances on Nagisa Ni Te albums. For more on Tori, read this &lt;a href="http://noise.as/main/kudo1"&gt;interview&lt;/a&gt;, by far the most informative, detailed and interesting thing I've read about him. The first and second MSHB tracks are two of the most-accessible songs from their most-accessible release, &lt;i&gt;Blues Du Jour&lt;/i&gt;, which is no exception to the scattered, short-songed setup of the rest of their albums. The third comes from the intensely long &lt;i&gt;Return Visit To Rock Mass&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://www.westzeit.de/pics/tontraeger/03_11_12mahbaz.jpg" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s20.yousendit.com/d.aspx?id=2IXRZK5UYA1DA15OUYY7R8501H" target="new"&gt;Maher Shalal Hash Baz - Good Morning&lt;/a&gt; &amp; &lt;a href="http://s18.yousendit.com/d.aspx?id=13JFTT4LQ0JJA3DUWPOEX4CZFJ" target="new"&gt;Peter Says&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://d.hatena.ne.jp/images/diary/shizukaneko/2004-06-09.jpg" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s28.yousendit.com/d.aspx?id=2O9AA5UCBEQQK25LENTT3C3BA5" target="new"&gt;Maher Shalal Hash Baz - Please Mr. Glory&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 6&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;Relistening to the first couple discs of &lt;I&gt;Goodbye, Babylon&lt;/i&gt; today reminded me of my favorite Washington Phillips track. He's definitely got a feeling about him that nobody else has; I'll let you decide for yourself. I pulled this from &lt;i&gt;Preachin' The Gospel: Holy Blues&lt;/i&gt;, a collection of songs from 1927-53. I love this song.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://www.muzieklijstjes.nl/Tips/Preachinthegospel.jpg" width="100" height="100"&gt;&lt;br /&gt;&lt;a href="http://s28.yousendit.com/d.aspx?id=3GC46H0N57A922CMNT372TJ87D" target="new"&gt;Washington Phillips - Denomination Blues, Part I&lt;/a&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111047527577530240?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111047527577530240/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111047527577530240&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111047527577530240'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111047527577530240'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/jacobites-roosevelt-graves-mshb_10.html' title='Jacobites, Roosevelt Graves, MSHB, Washington Phillips'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111033515766860628</id><published>2005-03-08T21:00:00.000-05:00</published><updated>2005-03-08T21:35:07.056-05:00</updated><title type='text'>Danny Boy &amp; The Serious Party Gods</title><content type='html'>This early 80's gem is both a slam and a homage to the San Francisco gay scene. Definitely a play on Frank and Moon Unit Zappa's "Valley Girl," which was very popular at the time. It's amazing how many of the bars given props in this song still exist. It's also amazing how many of the drugs mentioned in this song go by different names now-a-days.&lt;br /&gt;&lt;br /&gt;This copy seems to cut off at the end, but originals of this single are almost impossible to find. I saw one on Ebay recently, but it sold for over $150!!! Enjoy it, because it is indeed: FABULOUS!!!&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s15.yousendit.com/d.aspx?id=11VRF26IYZ0562NZ56DGB9YY00" target="_blank"&gt;Danny Boy &amp; The Serious Party Gods - Castro Boy&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111033515766860628?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111033515766860628/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111033515766860628&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111033515766860628'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111033515766860628'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/danny-boy-serious-party-gods.html' title='Danny Boy &amp; The Serious Party Gods'/><author><name>zefishwife</name><uri>http://www.blogger.com/profile/07328606379122946218</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111031285352159404</id><published>2005-03-08T15:12:00.000-05:00</published><updated>2005-03-08T21:36:36.716-05:00</updated><title type='text'>The Klezmer Conservatory Band</title><content type='html'>First, I would like to reiterate Zach's sentiment that if you're interested in anything I post that's gone by the wayside because of YouSendIt's policies, comment or email me &amp; I'll see what I can do.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Artist&lt;/span&gt;: The Klezmer Conservatory Band&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Song&lt;/span&gt;: "Rumania, Rumania"/"Remenye, Remenye"&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Writer&lt;/span&gt;: Aaron Lebedoff/Lebedeff&lt;br /&gt;&lt;br /&gt;As far as I can tell, Lebedoff (also found as "Lebedeff") wrote or performed a musical called "If I Only Could" way back in the day, which had one hit song, all in Yiddish, called "Bei Mir Bist Du Schoen," which Lebedoff didn't himself write. He's a Jewish composer &amp; his stage antics influenced Danny Kaye, amongst others.&lt;br /&gt;&lt;br /&gt;Klezmer, by the way, is Jewish folk music, basically. Most modern klezmer bands throw in a lot of other influences, fo course, especially jazz &amp;amp; pop &amp; whatnot. Most of the songs are sung in Yiddish, if they have singing at all. It's very much dance music.&lt;br /&gt;&lt;br /&gt;The Klezmer Conservatory Band is a group of musicians of various backgrounds who come together to make the klezmer that they love so much. Pretty standard stuff, for a band, yeah? It was started by Hankus Netsky, whose family had a long history of klezmer musicians. Most of the band's work seems to be old klezmer tunes (as opposed to new compositions), though I am not familiar with everything they've done.&lt;br /&gt;&lt;br /&gt;This song was the first tune I ever heard by them, &amp;amp; thus, the first klezmer tune I ever fell in love with. It is an appropriate coincidence that I always used to think of that scene in &lt;i&gt;The Inspector General&lt;/i&gt; where Danny Kaye is dancing around to some "Romanian folk song" when I heard this (that is, I wished I could dance like that to this song).&lt;br /&gt;&lt;br /&gt;The song itself is very snappy, catchy, &amp;amp; kinda cheesy in some ways, but that's what I love about it.&lt;br /&gt;&lt;br /&gt;Anyway, without further ado:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s32.yousendit.com/d.aspx?id=3G7PP74GL3A4906USMHJFJ0TVM" target="wha"&gt;Download it&lt;/a&gt;!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111031285352159404?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111031285352159404/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111031285352159404&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111031285352159404'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111031285352159404'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/klezmer-conservatory-band.html' title='The Klezmer Conservatory Band'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111030963352948120</id><published>2005-03-08T13:08:00.000-05:00</published><updated>2005-03-08T21:37:37.496-05:00</updated><title type='text'>Marie Queenie Lyons, Margie Alexander, Kevin Coyne, Slapp Happy, Trinity</title><content type='html'>&lt;b&gt;&lt;u&gt;SONGS 1 &amp; 2&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;I recently got a compilation of 70's funked-out soul called &lt;a href="http://www.amazon.com/exec/obidos/tg/detail/-/B000063XS3/ref=pd_sbs_m_4/104-1700858-8281558?v=glance&amp;s=music"&gt;&lt;i&gt;I'm A Good Woman Vol 3&lt;/i&gt;&lt;/a&gt;. Problem is, it's so great that it was hard to narrow it down to two songs to share here; when you've got Betty Davis, Anna King, Marva Whitney and the Pips to compete with, you have to be especially awesome.  But after careful deliberation I think my two favorites are Marie Queenie Lyons' "Your Key Don't Fit It Anymore" and &lt;b&gt;Margie Alexander&lt;/b&gt;'s "It Can't Last Forever. So uh, here they are, two funky-soul gems circa 1970. If you like the Marie Queenie Lyons track, she put out a wonderful album called &lt;i&gt;Soul Fever&lt;/i&gt; you should look into. &lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://images.amazon.com/images/P/B000063XS3.01._SCMZZZZZZZ_.jpg" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s23.yousendit.com/d.aspx?id=1EMSRBZY29DEP2K3VJEM4YUOKF" target="new"&gt;Marie Queenie Lyons - Your Key Don't Fit It Anymore&lt;/a&gt; &amp; &lt;a href="http://s23.yousendit.com/d.aspx?id=293ACSEWSUE99279YVSXF15WMK" target="new"&gt;Margie Alexander - It Can't Last Forever&lt;/a&gt;&lt;/center&gt; &lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 3&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;Kevin Coyne is one of those rare people for me where, during my first time hearing them, I admit defeat and realize they're going to be dominating my ears for a while. Since then, I've bought more albums of his &amp; regretted fewer of them than any other band. Kevin Coyne died in early December of '04, leaving behind more than thirty solo albums and several books and paintings, along with his work with the Dandelion band Siren, countless musicians in Germany (ex: Dagmar Krause) and later, sometimes more unlikely collaborations (ex: Jeffrey Lewis). He and his music both mean a lot to me. This track is hardly his best but it's one of my favorites from the last five years; &lt;i&gt;Sugar Candy Taxi&lt;/i&gt; was released in 1999 and Coyne referred to it as his "most honest record in years." You'll notice that this track is totally acoustic so if it feels bare to you, don't lose hope. Even if you don't like it, I'd recommend buying his amazing '73 release, &lt;i&gt;Marjory Razorblade&lt;/i&gt; or his &lt;i&gt;Peel Sessions&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://img.epinions.com/images/newworld/3880/317715-music-resized200.JPG" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s23.yousendit.com/d.aspx?id=1RPMWBT9SWD202P1EB77QRRNZ1" target="new"&gt;Kevin Coyne - I'm Into Your Game&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 4&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;Speaking of Dagmar Krause, this next track comes from her early 70's German band Slapp Happy. They were unique in their expertise of blending psychedelic and "avant-garde" leanings with melodic pop and offering a lot of variety on their albums. This song comes from their album &lt;i&gt;Acnalbasac Noom&lt;/i&gt; (not &lt;i&gt;Casablanca Moon&lt;/i&gt;), originally recorded in '73, which might as well be thought of as a collection thanks to all of the extra tracks. It was also backed by Faust again and produced by Uwe Nettlebeck. It's definitely heavily influenced by their poppier side, which probably had to do with Polydor telling them to sell better - but they wouldn't even release this album until 7 years later. They really are fantastic and I'd recommend any of their albums, including more collaborations with Faust and Henry Cow.&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://www2.odn.ne.jp/airstructures/Resources/image205.gif" width="100" height="100"&gt;&lt;br /&gt;&lt;a href="http://s23.yousendit.com/d.aspx?id=24JQH4QXNFWC22W07DP9HZ7G4H" target="new"&gt;Slapp Happy - Charlie N Charlie&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;UPDATE:&lt;/b&gt; here's another Slapp Happy song from the same album that deserves just as much to be here: &lt;a href="http://s34.yousendit.com/d.aspx?id=1X26P2O95TOUK17NPUYCZT9RVK" target="new"&gt;Slapp Happy - The Drum&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 5&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;One more: I got this one off of a compilation called, plainly, &lt;i&gt;Joe Gibbs Productions&lt;/i&gt;. Joe Gibbs is a prolific reggae producer, churning out hit after hit from early rocksteady to later dancehall. He worked with countless people and bands, for example The Heptones, Nicky Thomas, Dennis Brown, Culture, and his own band The Professionals. He's often credited with the production of the "first" rocksteady song, "Hold Them" by Roy Shirley. Anyway, this track's from '77, Trinity's biggest hit with him dj-ing over a dub copped from Dennis Brown's "Money In My Pocket."&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;img src="http://www.irieites.de/pkritiken/bilder/JoeGibbsSoulJazz.jpg" height="100" width="100"&gt;&lt;br /&gt;&lt;a href="http://s23.yousendit.com/d.aspx?id=15TH287H0BP3239H9RZ09K0C6V" target="new"&gt;Trinity - Three Piece Suit&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt; - - - - - &lt;/center&gt;&lt;br /&gt;&lt;br /&gt;The version of "Outside My Door" by Can I had planned on sharing will have to wait, I guess. &lt;br /&gt;You might notice I stopped bolding artist names because it's decidedly lame. I'm still doing that "SONG 1" thing, though - what's the deal with that?&lt;br /&gt;That's all for today; hope you like it all.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111030963352948120?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111030963352948120/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111030963352948120&amp;isPopup=true' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111030963352948120'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111030963352948120'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/marie-queenie-lyons-margie-alexander.html' title='Marie Queenie Lyons, Margie Alexander, Kevin Coyne, Slapp Happy, Trinity'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111027491572415712</id><published>2005-03-08T04:30:00.000-05:00</published><updated>2005-03-08T21:38:06.696-05:00</updated><title type='text'>Rodan, Upsilon Acrux, Hella</title><content type='html'>&lt;span style="font-weight:bold;"&gt;Song #1&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Rodan isn't so much obscure as ignored. It's easy to namecheck general favorites Slint on your top 50 list, but Rodan was simply a better band. There's no doubt that you'll find similarities between the fellow Kentuckians' projects, but it would be hard not to be influenced by Slint to some degree in 1991 if you live in the same town. "Gauge" is probably my favorite track on their only proper release, &lt;span style="font-style: italic;"&gt;Rusty&lt;/span&gt;, with much more interplay between the band's vocalists than all of the other tracks. It's too bad Rodan didn't hang together long enough to make more records, but &lt;span style="font-style: italic;"&gt;Rusty&lt;/span&gt; is alright on it's own.&lt;br /&gt;&lt;br /&gt;Please tell me if you ever see a proper copy of this around, because I sure couldn't find it the last time I was in Louisville.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s35.yousendit.com/d.aspx?id=37MMB72INJ9U41OQK0FL9VF65F" target="new"&gt;Rodan - "Gauge"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Song #2&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;Upsilon Acrux's heavily video game influenced 2004 album &lt;span style="font-style:italic;"&gt;Volucris Avis Dirae-Arum&lt;/span&gt; was one of my favorite releases last year. Without falling into nostaligia, Upsilon Acrux genuinely do sound like early 90's era video game music and not by electronic bleeping and blooping or retro sound chips. Their songs actually hearken back to that sort of Japanese composition technique of repeated and similar melodies that was popular due to the limitations of NES sound. It's no coincidence that the themes from Rygar and Castlevania stick in your head after all these years, because they are obviously very catchy and unique. Just listen to this and you'll understand what I'm talking about.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s24.yousendit.com/d.aspx?id=0J8GRK0FRNINI0OUUY74FDQBYY" target="new"&gt;Upsilon Acrux - "Night of the Goblin"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Song #3&lt;/span&gt;&lt;br /&gt;Hella are similar in some ways to Upsilon Acrux, but instead of playing tight and melodic, Hella play fast and loose, in sometimes a such a haphazard way that it keeps them from being pegged as gimmicky math-rock. Hella are actually more like a version of Lighning Bolt for dorks. It's not as noisy but probably twice as strange. Their 2004 effort &lt;span style="font-style:italic;"&gt;The Devil Isn't Red&lt;/span&gt; is just a damn fun record to take a walk to.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s23.yousendit.com/d.aspx?id=0YCGJ80B793AV1DHBSZVLCDD4K" target="new"&gt;Hella - "Top Twenty Notes"&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111027491572415712?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111027491572415712/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111027491572415712&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111027491572415712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111027491572415712'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/rodan-upsilon-acrux-hella.html' title='Rodan, Upsilon Acrux, Hella'/><author><name>homosaur</name><uri>http://www.blogger.com/profile/06516000350340680006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111025230405780312</id><published>2005-03-07T22:21:00.000-05:00</published><updated>2005-03-08T21:38:39.976-05:00</updated><title type='text'>Awesome Animal Ambulance</title><content type='html'>I've had &lt;B&gt;Awesome Animal Ambulance&lt;/b&gt;'s mini-album for a while now and I still know next to nothing about it except that it's on Aurora Seven records. The whole thing's pretty fun &amp; allitera-tastic but this track is just about the cutest thing I've ever heard.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s32.yousendit.com/d.aspx?id=3I3CU81TTEZ3H2BSMAIIN5GN5I" target="new"&gt;Awesome Animal Ambulance - Count On Us&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111025230405780312?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111025230405780312/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111025230405780312&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111025230405780312'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111025230405780312'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/awesome-animal-ambulance.html' title='Awesome Animal Ambulance'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111021646752365810</id><published>2005-03-07T12:11:00.000-05:00</published><updated>2005-03-07T20:50:27.113-05:00</updated><title type='text'>Stew, Paper Garden, Naked Raygun, Laxmikant Pyarelal</title><content type='html'>&lt;b&gt;&lt;u&gt;SONG 1:&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;&lt;i&gt;Terribly rude to waiters,&lt;br /&gt;Overtips like Sinatra,&lt;br /&gt;Quite fond of Stiv Bators,&lt;br /&gt;She drops acid and goes to the opera,&lt;br /&gt;Her cat has a personal chef&lt;br /&gt;Her dog wears a dead mink sweater&lt;br /&gt;Her rabbit won't pose for Hef&lt;br /&gt;She wears leather, whatever, the weather&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s30.yousendit.com/d.aspx?id=0EW8OMV5PNJZN0FO77PITJLBX2"&gt;Stew - Giselle&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A few weeks ago I caught wind of the &lt;B&gt;Negro Problem&lt;/b&gt; and bought their &lt;i&gt;Welcome Black&lt;/i&gt; album from the local wimped-out record store / head shop combination. It's totally amazing, and I needed &lt;i&gt;more&lt;/i&gt;, so I got &lt;i&gt;Post-Minstrel Syndrome&lt;/i&gt; and &lt;b&gt;Stew&lt;/b&gt;'s &lt;i&gt;The Naked Dutch Painter.&lt;/i&gt; Stew is the mastermind behind everything the Negro Problem does, give or take; he's one of those idiosyncratic West Coasters who flex their creative opinions lucidly in interviews and who think of music as a collaborative snapshot of all its elements: songwriting, instrumentals, lyrics, production. His ameliorative synthesist style works really well on all of the albums he made and there's certainly no shortage of his loving pop craftmanship.&lt;br /&gt;&lt;br /&gt;Let me get something straight: I grew up listening to &lt;b&gt;They Might Be Giants&lt;/b&gt;, from age 5 to 13. My only real musical exposure until I was 13 was them, extreme classical obviouses (Mozart, Beethoven, Wagner), and &lt;b&gt;Smashmouth.&lt;/b&gt; Oh shit, right? Well, it was a perfect soundtrack to early childhood, and although I see TMBG as a contrived, whiney ironic joke now, I can still respect their songwriting ability. That's to say, if you look past the godawful vocals and &lt;i&gt;Whoa Silly!&lt;/i&gt; sound effects, they could really write a good song. Stew's music does the same for me, but without all of the terrible aspects, and without coming across as maladroit or pretentious.&lt;br /&gt;&lt;br /&gt;Anyway, try the track, it's great.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 2&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;The &lt;b&gt;Paper Garden&lt;/b&gt; - traces of the &lt;b&gt;Small Faces&lt;/b&gt;, obviously big chunks of the &lt;b&gt;Beatles&lt;/b&gt;, and something playful and different. The whole album has an odd feeling of detached dissonance which feels out of place in a such a warm, energetic psychedelic pop band, but works extremely well. It could also just be that my speakers suck. I'd recommend buying the album as most of it's great, but here's the first track from &lt;b&gt;Paper Garden&lt;/b&gt;'s 1969 self-titled album.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s6.yousendit.com/d.aspx?id=02GE81K0SQD6O0AEZGL3Q0J48P"&gt;Paper Garden - Gypsy Wine&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 3&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;&lt;b&gt;Naked Raygun&lt;/b&gt; are one of my favorite bands, &amp; I haven't heard an album or bootleg of theirs that I haven't loved, which is pretty unusual for a band's live recordings. Anyway, this version of "Coldbringer" is a little more energetic and faster than the version on &lt;i&gt;Jettison&lt;/i&gt;, and the crowd gives it even more life (especially toward the end). I'm not sure if the album I got this from (&lt;i&gt;Free Shit&lt;/i&gt;) is a collection of earlier live material or if it was recorded and released in 2001. It's a total adrenaline rush and if it really is from '01, they've lost nothing since they quit in '92.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s28.yousendit.com/d.aspx?id=2EM7JS9F86G5P36IX4IHIPYI4N"&gt;Naked Raygun - Coldbringer&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 4&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;This one comes from &lt;b&gt;Laxmikant Pyarelal&lt;/b&gt;'s 1966 bollywood album &lt;i&gt;Pyar Kiye Ja&lt;/i&gt;. Can't give much of an introduction for this one since I'd have absolutely no idea what I'm talking about, but suffice it to say that it's a shitload of fun. If you'd like more information on Laxmikant, read &lt;a href="http://music.indya.com/biographies/ind/lp.html"&gt;this.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s24.yousendit.com/d.aspx?id=0R3IK1V45I49J3DYZGT39HRGX1"&gt;Laxmikant Pyarelal - Dil Hamne De Diya&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111021646752365810?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111021646752365810/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111021646752365810&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111021646752365810'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111021646752365810'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/stew-paper-garden-naked-raygun.html' title='Stew, Paper Garden, Naked Raygun, Laxmikant Pyarelal'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111021363488020402</id><published>2005-03-07T11:33:00.000-05:00</published><updated>2005-03-07T12:33:51.040-05:00</updated><title type='text'>Professor Longhair</title><content type='html'>Hi, I'm Billy. Zach has been kind enough to let me get in on this thing. Hope you like what I put up here.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Artist&lt;/b&gt;: Professor Longhair&lt;br /&gt;&lt;b&gt;Song&lt;/b&gt;: "Mardi Gras in New Orleans"/"Go to the Mardi Gras"&lt;br /&gt;&lt;b&gt;Writer&lt;/b&gt;: Roy Byrd (aka Professor Longhair)&lt;br /&gt;&lt;br /&gt;There are quite a few versions of this song out there, for starters. The earliest recording of it was in 1949. Generally, I have no idea which version of the song I am listening to, beyond what the mp3 says (in other words, I can't tell which album the song is off of, or if it is from some rare 45 from the '40s, or if it was spun wholecloth from the Internet &amp; has nothing to do with Fess at all), because all of my Professor Longhair is downloaded. Local record shops should keep better stock of Fess CDs, but alackaday, I have as yet not lucked into one.&lt;br /&gt;&lt;br /&gt;That said, I think my favorite version of this song that I have heard is the one I have that is labelled "Mardi Gras in New Orleans (Looser Version)." It is about 3 minutes long, starts with that piano intro that made me love Fess in the first place, &amp;amp; then rolls into the whole whistling thing that makes my spine tingle. When Fess gets around to singin', well, it's the icing on the cake. His voice is that low moan of a voice that I only wish I could imitate properly, when I sing this as it pops into my head (usually at random points, or any time Mardi Gras or Zulu is brought up).&lt;br /&gt;&lt;br /&gt;This song is sometimes hailed as Professor Longhair's signature song, though a few of his other tunes might well vie for that same position, &amp; according to &lt;a href="http://www.wikipedia.org"&gt;Wikipedia&lt;/a&gt;, it is still the theme for Mardi Gras in New Orleans today. It certainly gets played down here during Carnival a few times. However, I don't think it is possible I could get tired of this song.&lt;br /&gt;&lt;br /&gt;This song is a fuckin' celebration. It's the sorta thing that makes ya wanna dance in the streets (say, during Mardi Gras). It makes you wanna shake &amp;amp; jump &amp; tap &amp;amp; step &amp;amp; sing. It makes ya feel good, like the way ya do when you're out on the streets during the Gras, lemme tell ya (assuming you aren't a useless curmudgeon, that is).&lt;br /&gt;&lt;br /&gt;Basically, any version you come across should inspire your ear drums. The delicious piano, the jumpin' whistling, the crazy moan of Fess's voice, the rhythm that is simply to die for. It's damned near the best thing since sliced pickles, make no mistake.&lt;br /&gt;&lt;br /&gt;&lt;a href=http://s5.yousendit.com/d.aspx?id=3V564DNHR8HFZ1QQTVB1YSZ68E&gt;Download it&lt;/a&gt;!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111021363488020402?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111021363488020402/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111021363488020402&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111021363488020402'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111021363488020402'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/professor-longhair.html' title='Professor Longhair'/><author><name>billy ray</name><uri>http://www.blogger.com/profile/05865440663410838156</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-11278661.post-111015416713757474</id><published>2005-03-06T19:08:00.000-05:00</published><updated>2005-03-06T21:05:48.106-05:00</updated><title type='text'>Homosexuals, X-Clan</title><content type='html'>&lt;b&gt;&lt;u&gt;INTRODUCTION &amp; SONG 1:&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;So, to start things out on a relatively known &amp; solid note, here's the "title track" of this thing, if you will, or just an amazing song, if you won't.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s11.yousendit.com/d.aspx?id=13UCZVB38I0JG13BM36WFR51VV" target="download"&gt;Homosexuals - Vociferous Slam&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;&lt;b&gt;HELP ME:&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;If anybody knows a better storage method, paid or unpaid, please let me know at the absurdly-long &lt;a href="justwhatdoyoumeanbyantichrist@yahoo.com"&gt;justwhatdoyoumeanbyantichrist@yahoo.com&lt;/a&gt;. Yousendit.com has unlimited storage but automatically deletes files after 7 days, so I apologize if you ever miss the boat - always feel free to comment or email me if you're interested in a specific song.&lt;br /&gt;&lt;br /&gt;&lt;u&gt;&lt;b&gt;INTRODUCTION #2:&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;Sorry in advance for any clumsy inelegance in here, and doubly sorry for the apologetic tone that comes with it. Bear in mind that my seventeen-year-old speculation is hardly the most informed around, so if there are any factual problems then please comment. In any case, this is about the music, right? Right!, right!&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;SONG 2&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;By the way: vaaaainglorious! This is protected, by the red, the black, and the green, at the &lt;/i&gt;crossroads,&lt;i&gt; with the key, &lt;b&gt;&lt;/i&gt;siss-yyy!&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s2.yousendit.com/d.aspx?id=3IBXFG9SY2NSR3CM6J1LC10FR6" target="download"&gt;X-Clan - A.D.A.M.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;B&gt;X-Clan&lt;/b&gt; are the messengers of a black underclass organization called Blackwatch. Apparently their materialization was a result of the Yusef Hawkins murder in 1989. This track's from their 1992 sophomore album &lt;i&gt;Xodus&lt;/i&gt;. There were slight lineup changes for this album &amp; their sound is a little more evolved and the samples work much better (no flagrant Paid In Full copping in this one). It's also just as intensely afrocentric without seeming like a caricature. The backing comes from Grover Washington Jr's "Mister Magic," and although it clashes sometimes with Brother J's lyrical style, the end result is still fucking great. Don't believe me, wait until the last verse. If it seems a little excessive, well, that's because it &lt;i&gt;is&lt;/i&gt;, but it's still good old honest, talented Brother J and Professor X going at it over well-produced beats.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/11278661-111015416713757474?l=vslam.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://vslam.blogspot.com/feeds/111015416713757474/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=11278661&amp;postID=111015416713757474&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111015416713757474'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/11278661/posts/default/111015416713757474'/><link rel='alternate' type='text/html' href='http://vslam.blogspot.com/2005/03/homosexuals-x-clan.html' title='Homosexuals, X-Clan'/><author><name>dog latin</name><uri>http://www.blogger.com/profile/15734184930013538263</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry></feed>
